legacy

There is something that happens when you know that life is finite: a desire for greatness, for whatever fleeting moments of brilliance you can leave in the world after you're gone. And whether the end of your life is five years away or fifty, the fact that you just don't know is a great motivator for not waiting to begin that thing that could potentially be your legacy. Whether it's a work of art, or a scientific breakthrough, a good deed, or a child, leaving something of yourself for others to experience and remember is sometimes the greatest excuse to live a life that's more than just crossing the distance between birth and death.

Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.I want to leave a mark.But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion....We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other.Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm.The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox....But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar....What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.

Everyone is born and they die, but it's the memories they leave behind that define them and let them live on than others.

However much they may smile at her, the old inhabitants would miss Tillie. Her stories give them something to talk about and to conjecture about, cut off as they are from the restless currents of the world. The many naked little sandbars which lie between Venice and the mainland, in the seemingly stagnant water of the lagoons, are made habitable and wholesome only because, every night, a foot and a half of tide creeps in from the sea and winds its fresh brine up through all that network of shining waterways. So, into all the little settlements of quiet people, tidings of what their boys and girls are doing in the world bring real refreshment; bring to the old, memories, and to the young, dreams.

When we let the expectations of others or own unreasonable self-expectations rule, we silence the power of our Legacies.

The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rockstar and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.

The career of J. Robert Oppenheimer, the physicist who headed the Manhattan Project, draws such questions to a focus that resembles the bead of a laser-gunsight on a victim__ breastbone. It was Oppenheimer whom the public lionized as the brains behind the bomb; who agonized about the devastation his brilliance had helped to unleash; who hoped that the very destructiveness of the new __adget,_ as the bombmakers called their invention, might make war obsolete; and whose sometime Communist fellow-traveling and opposition to the development of the hydrogen bomb _ a weapon a thousand times more powerful than the bombs that incinerated Hiroshima and Nagasaki _ brought about his political disgrace and downfall, which of course have marked him in the eyes of some as all the more heroic, a visionary persecuted by warmongering McCarthyite troglodytes. His legacy, of course, is far more complicated.

The choices we make about the lives we live determine the kinds of legacies we leave.

We must begin thinking like a river if we are to leave a legacy of beauty and life for future generations.

What makes a man real is when his actions and words become memorable.

They don't know the distinction between taking care of a child and raising a child.

Any man's life can be seen as a series of engagements with his fathers, Including the surrogates provided by life and literature.

Culture was actually humanity__ attempt to extend the womb.

My art is that of the 35mm kind; my poetry is of the lead and ink kind; my happiness is of the product of both; and my legacy is of the story of my soul, that my life left behind