I don't think poetry will die, but I think that poetry does demand a certain kind of attention to language. It does demand a certain space in order to read it, and I think that space is somewhat threatened by the lack of attention that people have and the amount of time that they give to things.
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Poetry is the language we speak in the most terrifying or ecstatic passages of our lives. But the very word poetry scares people. They think of their grade school teachers reciting 'Hiawatha' and they groan.
Poetry seems to be the only weapon able to beat language, using language's own means.
In the French language, there is a great gulf between prose and poetry; in English, there is hardly any difference. It is a splendid privilege of the great literary languages Greek, Latin, and French that they possess a prose. English has not this privilege. There is no prose in English.
What we know is that Shakespeare wrote perhaps the most remarkable body of passionate love poetry in the English language to a young man.
Sunday is a likely day to write a poem. Because poetry is a piece of language flying around: you'll find notebooks, something on your phone. It's about finding them and getting them off that crumpled piece of paper and onto my computer.
When it comes to atoms, language can be used only as in poetry. The poet, too, is not nearly so concerned with describing facts as with creating images.
Poetry should help, not only to refine the language of the time, but to prevent it from changing too rapidly.
Poetry begins where language starts: in the shadows and accidents of one person's life.
In the language of poetry, where every word is weighed, nothing is usual or normal. Not a single stone and not a single cloud above it. Not a single day and not a single night after it. And above all, not a single existence, not anyone's existence in this world.
Instead of this confusion, we need the unifying force of an official language, English, which is the language of success in America.
Poetry is not a matter of feelings, it is a matter of language. It is language which creates feelings.
Poetry is language at its most distilled and most powerful.
You stand with the least likely to succeed until success is succeeded by something more valuable: kinship. You stand with the belligerent, the surly and the badly behaved until bad behavior is recognized for the language it is: the vocabulary of the deeply wounded and of those whose burdens are more than they can bear.
Every relationship has its own language. It takes a long time to evolve and read one another. Just as it's true for people, it's also true on a national or cultural level.
Everything stated or expressed by man is a note in the margin of a completely erased text. From what's in the note we can extract the gist of what must have been in the text, but there's always a doubt, and the possible meanings are many.
We should never denigrate any other culture but rather help people to understand the relationship between their own culture and the dominant culture. When you understand another culture or language, it does not mean that you have to lose your own culture.
The huge difference in my lifetime is that you can just go up to somebody and make a pass. You couldn't do that in the 1950s if you were gay. There were secret handshakes, a secret language. There was nowhere you could go to be romantic outside of people's houses.