If California is a state of mind, Hollywood is where you take its temperature. There is a peculiar sense in which this city existing mainly on film and tape is our national capital, alas, and not just the capital of California. It's the place where our children learn how and what to dream and where everything happens just before, or just after, it happens to us.
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Out of the closets and into the museums, libraries, architectural monuments, concert halls, bookstores, recording studios and film studios of the world. Everything belongs to the inspired and dedicated thief_. Words, colors, light, sounds, stone, wood, bronze belong to the living artist. They belong to anyone who can use them. Loot the Louvre! A bas l__riginalité, the sterile and assertive ego that imprisons us as it creates. Vive le vol-pure, shameless, total. We are not responsible. Steal anything in sight.
...as if Hollywood were the name of the enchanted forest where you loose yourself and find yourself, again; the wood that changes you; the wood where you go mad; the wood where the shadows life longer than you do.
I leave the kitchen table to bathe, and to dress for church. If only my closet held on its shelves an array of faces I could wear rather than dresses, I would know which face to put on today. As for the dresses, I haven't a clue.
Artist Matthew Barney has made a film about __hit_. It is hardly original. Hollywood has made shit films for decades.
There's a big luscious peach of a dream in L.A. The peach has been repeatedly exposed as overripe and tainted with wormholes... but it's still the only giant peach in town. Even if it's wet-brown and crawling with centipedes, everyone wants their bite.
Those movies... ridiculously inaccurate. The real gods of Asgard _ Thor, Loki, Odin, and the rest _ are much more powerful, much more terrifying than anything Hollywood could concoct.
Listen, we__l come visit you. Okay? I__l dress up as William Shakespeare, Lucent as Emily Dickinson, and beautiful __ay_ as someone dashing and manly like Jules Verne or Ernest Hemingway...and we__l write on your white-room walls. We__l write you out of your supposed insanity. I love you, Micky Affias.-James (from "Descendants of the Eminent")
It__ easier for me to make sense of it that way than it is for me to face the other way__eality. And yet, those evil spirits that were unleashed__e they fake entities from a stupid carnival ride, or cruel malevolencies from dark spiritual chasms of our universe__ave stayed with me all these years
You are better than any hollywood star. Just love yourself...!!!
About Hollywood.I feel like it__ a big ocean, full of bottom feeders, midlevel fish, the occasional shark, and some wonderful savvy whales, the elders, and the ones who guide you on your way. If you__e lucky enough, you get to be a dolphin and have your waves broken by the passage of these elders before you, but at the same time, you get an occasional shark bite in the tail and maybe one of the bottom feeders comes up and takes a little nibble. But I see myself as cresting a series of waves, dipping down, sometimes, lower than I__ like, but mainly kind of happily staying above. (smiles and takes a long drag of her cigarette) And, of course, I try to avoid the fishnets.
Any actress who appears in public without being well-groomed is digging her own grave.
How do we know where we're going? Follow the moon! Remember, the moon is always over Hollywood, and Needles isn't far from Hollywood.
Every actor in his heart believes everything bad that's printed about him.
Television wasn't getting rid of animals, but they were no longer cast as creatures that were omniscient and heroic. They were talking horses like Mr Ed or an absurdist pig like Arnold Ziffle...Just like the heroic animals in silent films became comedians in talkies, animals on television were becoming jesters, something Rin Tin Tin had never been.
Many years later after the sell-outs, betrayals, and hatred which would tear us apart, when our brotherhood had been destroyed, I__ always look back and remember that night. That fucking wild night at the KeyClub, when the smoke stung my eyes but my world was full of nothing but blind hope. When life was not a mockery, but a very real fire which flamed through my veins like the most incredible drug... the night when Kelly-Lee Obann, drunk, high and barely 20 the time, looked out through his hair with a terrible nakedness and said to me; __e__e not gonna make it out of this alive. You know that, right?
I wrote in a bedroom crowded with ghosts," Brooke Hayward says. "My mother would disapprove, and my father would be horrified. The moral of my book is that you pay for everything. They were rich, accomplished, famous and beautiful. We were drowned in privilege, yet it ended in all this hideous tragedy." (interview from People magazine (May 23, 1977)
Hollywood is too busy trying to make old formulas hit the jackpot again to see the future. Hollywood is yesterday, forever catching up with what's happening today. This will change only when it becomes financially profitable, and reality will never be profitable until society overcomes its fear and hatred of difference and begins to see that we're all in this together