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hesse

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An enlightened man had but one duty--to seek the way to himself, to reach inner certainty, to grope his wayforward, no matter where it led. The realization shook me profoundly, it was the fruit of this experience. I had often speculated with images of the future, dreamed of roles that I might be assigned, perhaps as poet orprophet or painter, or something similar. All that was futile. I did not exist to write poems, to preach or topaint, neither I nor anyone else. All of that was incidental. Each man had only one genuine vocation--to findthe way to himself. He might end up as poet or madman, as prophet or criminal--that was not his affair,ultimately it was of no concern. His task was to discover his own destiny--not an arbitrary one--and live it outwholly and resolutely within himself. Everything else was only a would-be existence, an attempt at evasion, aflight back to the ideals of the masses, conformity and fear of one's own inwardness.

HH
Hermann Hesse

Demian. Die Geschichte von Emil Sinclairs Jugend

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An enlightened man had but one duty--to seek the way to himself, to reach inner certainty, to grope his way forward, no matter where it led. The realization shook me profoundly, it was the fruit of this experience. I had often speculated with images of the future, dreamed of roles that I might be assigned, perhaps as poet or prophet or painter, or something similar. All that was futile. I did not exist to write poems, to preach or to paint, neither I nor anyone else. All of that was incidental. Each man had only one genuine vocation--to find the way to himself. He might end up as poet or madman, as prophet or criminal--that was not his affair, ultimately it was of no concern. His task was to discover his own destiny--not an arbitrary one--and live it out wholly and resolutely within himself. Everything else was only a would-be existence, an attempt at evasion, aflight back to the ideals of the masses, conformity and fear of one's own inwardness.

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He thought, that all men, trickled away, changing constantly, until they finally dissolved, while the artist-created images remained unchangeably the same. He thought that the fear of death was perhaps the root of all art, perhaps also of all things of the mind. We fear death, we shudder at life__ instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do. Perhaps the woman after whom the master shaped his beautiful Madonna is already wilted or dead, and soon he, too, will be dead; others will live in his house and eat at his table- but his work will still be standing hundreds of years from now, and longer. It will go on shimmering in the quiet cloister church, unchangingly beautiful, forever smiling with the same sad, flowering mouth.