fairy-tales

Don't let the inconsequential fairy tales stand in your way! You do what makes you happy, no matter what.

A fairy-tale life exists only in fairy tales.

Fairy tales do not tell children the dragons exist. Children already know that dragons exist. Fairy tales tell children the dragons can be killed.

Being the reader of a dark fairy tale is much like being the hero of one. Our lives are filled with pain, boredom, and fear. We want to venture into the dark wood, to see the oddities and the beauties it holds, and to test ourselves against them. So we pick up a book of fairy tales. The real ones. THe weird ones. The dark ones. We see oddities and beauties galore. We test our courage and our understanding. Finally, we put the book down and return to our lives. And hopefully, just like the hero of the fairy tale, we return stronger, richer, and wiser. In difficult times - of recession and violence and political bitterness - we long for a dark forest to which we can escape; and from which we can return, better than we were before.

Everything that ever happened is just stories now, Earl. But it was all very real to people while it was happening. Wasn't it?

Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own.Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one.In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis...In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch.Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.

But here's a great thing about stories: they can be retold.

Ah__ow you think I have been lying to you, that this is only a story. It has a king in it. And while a story with Death might be true, a story with a king in it is always a fairy tale. But remember, this comes from a time when kings were as common as corn. Plant a field and you got corn. Plant a kingdom and you got a king. It is that simple.

Of course, fairy tales are transmissible. You can catch them, or be infected by them. They are currency that we share with those who walked the world before ever we were here. (Telling stories to my children that I was, in my turn, told by my parents and grandparents makes me feel part of something special and odd, part of the continuous stream of life itself.)

The landscape always changed, but the magic never did. The tales were told to children wrapped up in sheets, to frighten or to soothe, but those doing the telling didn't have to believe. Perhaps it was just as well that they didn't, for the stories got so much of it wrong. They always do. The legends told of dragons and faeries, of locked towers and imprisoned princesses, and this was true enough.

I have always loved fairy tales, even now at the age when I am supposed to be too grown up and cynical for them.

She is a figure of legend and fairy tale, one to be taken seriously, or she might knock you off your feet with a quick whirl of the staff she carries everywhere.

Finally, I__ say to anyone who wants to tell these tales, don__ be afraid to be superstitious. If you have a lucky pen, use it. If you speak with more force and wit when wearing one red sock and one blue one, dress like that. When I__ at work I__ highly superstitious. My own superstition has to do with the voice in which the story comes out. I believe that every story is attended by its own sprite, whose voice we embody when we tell the tale, and that we tell it more successfully if we approach the sprite with a certain degree of respect and courtesy. These sprites are both old and young, male and female, sentimental and cynical, sceptical and credulous, and so on, and what__ more, they__e completely amoral: like the air-spirits who helped Strong Hans escape from the cave, the story-sprites are willing to serve whoever has the ring, whoever is telling the tale. To the accusation that this is nonsense, that all you need to tell a story is a human imagination, I reply, __f course, and this is the way my imagination works.

Every fairy tale had a bloody lining. Every one had teeth and claws.

Vane grabbed me. __uLac, let__ chat._ British-speak for __tand still while I yell at you.

Science has never killed or persecuted a single person for doubting or denying its teaching, and most of these teaching have been true; but religion has murdered millions for doubting or denying her dogmas and most of these dogmas have been false.All stories about gods and devils, of heavens and hells, as they do not conform to nature, and are not apparent to sense, should be rejected without consideration. Beyond the universe there is nothing and within the universe the supernatural does not and cannot exist.Of all deceivers who have plagued mankind, none are so deeply ruinous to human happiness as those imposters who pretend to lead by a light above nature.The lips of the dead are closed forever. There comes no voice from the tomb. Christianity is responsible for having cast the fable of eternal fire over almost every grave.

I believe in steel swords, gold coins, and man's wits. (...) And I believe there once were dragons. I've seen their skulls, after all.

«And in the end» said the witch to the drowning prince «You've been the one choosing the thornless path in spite of knowing where it could lead. The one who afraid of the pricking roses, plunged himself into an abyss without petals