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existential

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We've been dead for thousands and thousands of years. Dead or sleeping, depends on how you feel about it at any given moment. But that's okay. The trouble starts when you are born, then everything becomes taxing and temporary. When they pulled us into awareness, they killed us. Then we get saddled with a seven minute relay, at best. A soft limbo that's only palliative and comforting in theory. A momentary respite that's a cosmic joke of course and still resented by the divine. A petty haggling of which we weren't even a part of. When forced into an existence, we turned into the ward of all that breathes, subjected to the known universe, and though always partial to the unknown, which wasn't really found and never understood, is lost to us.

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How do text messages make you feel existential?I start thinking about exactly that: how people can edit a thought before sending it out to the world. They can make themselves seem more well spoken than they are, or funnier, smarter. I start thinking that no one in the world is who they say the are, then my mind goes to how I also edit myself, not just online but in real life, except for those rare instances like right now where I'm ranting- even though that's a lie because I've had this train of thought before and damned if I didn't tweak it in my head a few times to make it sound better- and then my mind starts racing so furiously I can't control my thoughts, and I start thinking about robots and wondering if I'm even a real person.

AA
Adi Alsaid

Never Always Sometimes

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This is rather as if you imagine a puddle waking up one morning and thinking, 'This is an interesting world I find myself in--an interesting hole I find myself in--fits me rather neatly, doesn't it? In fact it fits me staggeringly well, must have been made to have me in it!' This is such a powerful idea that as the sun rises in the sky and the air heats up and as, gradually, the puddle gets smaller and smaller, it's still frantically hanging on to the notion that everything's going to be all right, because this world was meant to have him in it, was built to have him in it; so the moment he disappears catches him rather by surprise. I think this may be something we need to be on the watch-out for. We all know that at some point in the future the universe will come to an end, and at some other point, considerably in advance from that but still not immediately pressing, the sun will explode. We feel there's plenty of time to worry about that, but on the other hand that's a very dangerous thing to say... I think that we need to take a larger perspective on who we are and what we are doing here if we are going to survive in the long term.

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I skipped the thirty-one years between 1938 and 1965 and jumped to the section entitled __unitaki Today._ Of course, the book__ __oday_ being 1970, it was hardly today__ __oday._ Still, writing the history of one town obviously imposed the necessity of bringing it up to a __oday._ And even if such a today soon ceases to be today, no one can deny that it is in fact a today. For if a today ceased to be today, history could not exist as history.

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Haruki Murakami

A Wild Sheep Chase

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From personal experience, I know for sure that the number one thing that saddens the dead more than our grief _ is not being conscious of their existence around us. They do want you to talk to them as if they were still in a physical body. They do want you to play their favorite music, keep their pictures out, and continue living as if they never went away. However, time and "corruption" have blurred the lines between the living and the dead, between man and Nature, and between the physical and the etheric. There was a time when man could communicate with animals, plants, the ether, and the dead. To do so requires one to access higher levels of consciousness, and this knowledge has been hidden from us. Why? Because then the plants would tell us how to cure ourselves. The animals would show us their feelings, and the dead would tell us that good acts do matter. In all, we would come to know that we are all one. And most importantly, we would be alerted of threats and opportunities, good and evil, truth vs. fiction. We would have eyes working for humanity from every angle, and this threatens "the corrupt". Secret societies exist to hide these truths, and to make sure lies are preserved from generation to generation.

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Suzy Kassem

Rise Up and Salute the Sun: The Writings of Suzy Kassem

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He loved the sea for deep-seated reasons: the hardworking artist's need for repose, the desire to take shelter from the demanding diversity of phenomena in the bosom of boundless simplicity, a propensity__roscribed and diametrically opposed to his mission in life and for that very reason seductive__ propensity for the unarticulated, the immoderate, the eternal, for nothingness. To repose in perfection is the desire of all those who strive for excellence, and is not nothingness a form of perfection?

TM
Thomas Mann

Death in Venice

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Take fireflies for example. Try to imagine their beauty, the evanescent beauty of their lives, which don't even last a week.Female fireflies flash their lights only to have intercourse with the males; males twinkle just to have intercourse with the females. And once their mating has finished, they die. In short, their reproductive instinct is the single, absolute reason for fireflies to live. In that simple instinct and their simple world, no kind of sadness can intervene. This is precisely why fireflies are so fleetingly beautiful.

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All writers are demonic dreamers. Writing is an act of sharing experiences and offering of an individualistic perspective of our private attitudes pertaining to whatever topics of thought intrigues the author. Writing is a twitchy art, which attempts to employ linguist building blocks handed-down from past generations. Writers_ word choices form a structure of conjoined sentences when overlaid with the lingua of modern culture. Writers attempt to emulate in concrete form the synesthesia of our personal pottage steeped in our most vivid feelings. Writing a personal essay calls for us to sort out a jungle of lucid observations and express in a tangible technique our unique interpretation of coherent observations interlaced with that effusive cascade of yearning, the universal spice of unfilled desire, which turmoil of existential angst swamps us.