escape

If I had wings I would fly,I'd soar on high where only eagles dareI'd let them rip, I'd let them tear, until all that remained was me bare.

The late 1920s were an age of islands, real and metaphorical. They were an age when Americans by thousands and tens of thousands were scheming to take the next boat for the South Seas or the West Indies, or better still for Paris, from which they could scatter to Majorca, Corsica, Capri or the isles of Greece. Paris itself was a modern city that seemed islanded in the past, and there were island countries, like Mexico, where Americans could feel that they had escaped from everything that oppressed them in a business civilization. Or without leaving home they could build themselves private islands of art or philosophy; or else - and this was a frequent solution - they could create social islands in the shadow of the skyscrapers, groups of close friends among whom they could live as unconstrainedly as in a Polynesian valley, live without moral scruples or modern conveniences, live in the pure moment, live gaily on gin and love and two lamb chops broiled over a coal fire in the grate. That was part of the Greenwich Village idea, and soon it was being copied in Boston, San Francisco, everywhere.

Writing is a form of therapy; sometimes I wonder how all those who do not write, compose, or paint can manage to escape the madness, melancholia, the panic and fear which is inherent in a human situation.

Which direction?" Robard asked. "Robard," I said exasperated, "we need a boat. I believe boats are kept at or near the ocean.

I believe one has to escape oneself to discover oneself.

But it was fantasy, and she knew it. It was her fantasy, and the fantasy of everyone else who would look at her and at her pictures; and it would stop being real the moment the man with the camera stopped clicking.

But nothing was a important as escaping Evernight or the __estiny_ my parents and teachers had decided for me. I had only one chance to be free and to be with the guy I loved. I intended to take it.

For a second I was almost jealous of the clouds. Why was he looking to them for an escape when I was right here beside him?

You really didn't appreciate how thick, how powerful water was until you had to fight it.

To write poetry and to commit suicide, apparently so contradictory, had really been the same, attempts at escape.

Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality but an escape from personality. But, of course, only those who have personality and emotion know what it means to want to escape from these.

Running is an effort to escape from comfort zone.

The tears in my pus-filled eyes became a thousand little crystals of ever color. Like stained-glass windows, I thought. God is with you today, Papi! In the midst of nature's monstrous elements, in the wind, the immenseness of the sea, the depth of the waves, the imposing green roof of the bush, you feel your own infinitesimal smallness, and perhaps it's here, without looking for Him, that you find God, that you touch Him with your finger. I had sensed Him at night during the thousands of hours I had spent buried alive in dank dungeons without a ray of sun; I touched Him today in a sun that would devour everything too weak to resist it. I touched God, I felt Him around me, inside me. He even whispered in my ear: "You will suffer; you will suffer more. But this time I am on your side. You will be free. You will, I promise you.

The use of drugs is not an effective means of facilitating real escape. It merely gives that erroneous and illusive impression. Well, illusive with an I and elusive with an E. At best, narcotics do no more than promote bonhomie and give you a temporary taste of what freedom might be like; and drugs take you into another sub-level of, or sub-culture in, the same old game. The same old game, but with additional consequences. And at worst, well ... suffice it to say that you really, really do not want to go there.

White man trying to kill you slow every day, and sometimes trying to kill you fast. Why make it easy for him? That was one kind of work you could say no to.

From the trunk of their scheme, choices and decisions sprouted like branches and shoots.

... since I was still, and must for long remain, in that period of life when one has not yet separated the fact of this sensual pleasure from the various women in whose company one has tasted it, when one has not reduced it to a general idea which makes one regard them thenceforward as the variable instruments of a pleasure that is always the same. Indeed, that pleasure does not exist, isolated and formulated in the consciousness, as the ultimate object with which one seeks a woman's company, or as the cause of the uneasiness which, in anticipation, one then feels. Hardly even does one think of oneself, but only how to escape from oneself.

People run away from the love game because they know they won't win the race.