emotion

Most women go through life looking for love, and looking for someone to treat them like a queen. For some women finding real love seems to be something that will never happen. I believe that finding love is not as hard as people make it seem. The reason that some women can't find real love is because they look for more than just real love. A lot of women know what they need in a relationship, and thats for a man to love that woman with all of his heart, and to treat her real good. Most women have guys in their life or guys that try to get with them that could really love them and treat them real good. Those are usually the guys that get forced into that friend zone or rejected upfront. See those guys could give them what they need, but not what they want. __ants_ can be anything from a woman wanting a man to have certain materialistic things, or she could want him to look a certain way, those are a few examples of the things that some of them want, but they vary depending on the female. What some females don't understand is that none of the things that they want has anything with love or how that person will treat you. You could find a man that looks perfect, has a house and car, he can be a college graduate with a good job, and you could still end up being with a person that doesn't truly love you, and will treat you like shit. What I am trying to say is that the person who could treat you good and really love you could already be in your life, but you could have been blinded by the things you want in a man so you overlooked the person that you were really looking for. And by the way there are men that do the same thing; I just wanted to be clear on that.

True love is not a hide and seek game: in true love, both lovers seek each other.

Sentimentality is a quality that rarely has the slightest influence on action.

Some of us walk around with a necklace of hope, an armour of sanity, but at the end of the day, they always come off. We reveal our naked, vulnerable, real selves.

We all know that any emotional bias -- irrespective of truth or falsity -- can be implanted by suggestion in the emotions of the young, hence the inherited traditions of an orthodox community are absolutely without evidential value.... If religion were true, its followers would not try to bludgeon their young into an artificial conformity; but would merely insist on their unbending quest for truth, irrespective of artificial backgrounds or practical consequences. With such an honest and inflexible openness to evidence, they could not fail to receive any real truth which might be manifesting itself around them. The fact that religionists do not follow this honourable course, but cheat at their game by invoking juvenile quasi-hypnosis, is enough to destroy their pretensions in my eyes even if their absurdity were not manifest in every other direction.

When you pour out words from your heart to your lover, make sure they aren't on a paper vessel and lost to the wind.

I looked inward at my heart. And indeed, there too, the criss-cross corsetry was slackened and gaping. I was all undone. Potentially, I could spill. Or tangle. And so I began to tug at my own heartstrings, pulling them up tight until there was just the right amount of tension at each criss and each cross. Then I bent down to my boots and laced them firmly too, first the left, then the right, finishing off on each side with a surgeon's shoelace knot.

Do you think that anger is a sincere emotion, or just the timid motion of a fragile heart trying to beat away its pain?

My objective is to create my own world and these images which we create mean nothing more than the images which they are. We have forgotten how to relate emotionally to art: we treat it like editors, searching in it for that which the artist has supposedly hidden. It is actually much simpler than that, otherwise art would have no meaning. You have to be a child__ncidentally children understand my pictures very well, and I haven__ met a serious critic who could stand knee-high to those children. We think that art demands special knowledge; we demand some higher meaning from an author, but the work must act directly on our hearts or it has no meaning at all.

Just make sure the day doesn__ pass without sayin_ what__ in your heart. Sometimes you pass up those chances and they__e gone forever.

I gave him my heart without thinking how it would feel if he returned it.

Play with the emotions, play with the heart and the animal will surrender to yo

Great emotional singing isn't a destination, it's a journey, one to be taken time and again to different places with different moods and different audiences.

No one ought even to desert a woman after throwing her a heap of gold in her distress! He ought to love her forever! You are young, only twenty-one, and kind and upright and fine. You'll ask me how a woman can take money from a man. Oh, God, isn't it natural to share everything with the one we owe all our happiness to? When one has given everything, how can one quibble about a mere portion of it? Money is important only when feeling has ceased. Isn't one bound for life? How can you foresee separation when you think someone loves you? When a man swears eternal love--how can there be any separate concerns in that case?

She could afford anything, she could give anything, but she could not share a moment of her life with anybody. Shewas a beautiful and a glamorous diamond with an astronomical price tag, but to a crude reality _ she was still a stone, a living stone. Nothing else but a stone in an aesthetic sense.

Any performer tries to perform music as if for the first time, with all that energy and excitement that comes from discovering a new piece--maybe trying to recreate the memory of falling in love with a piece when hearing it first as a child--and just as people regularly say of a brilliant conductor that they seem to conduct as if recreating the energy an audience must have felt when the piece was first played decades, even centuries, before, so too I think we need to communicate our knowledge with the passion we first encountered as children.

The mixtapes we made for ourselves were musical mirrors. The sadness, anger, or frustration you might be feeling at a given time could be encapsulated in the song selection. You made mixtapes that corresponded to emotional states, and they'd be avaliable to pop into the deck when each feeling needed reinforcing or soothing. The mixtape was your friend, your psychiatrist, and your solace.

In the early days, I might have gotten on stage and begun to sing as a desperate attempt to communicate, but now I found that singing was both a physical and emotional joy. It was sensuous, a pure pleasure, which didn't take away from the emotions being expressed__ven if they were melancholic. Music can do that; you can enjoy singing about something sad.