disillusionment

Lack of sound mind and judgement _ the ability to make considered decisions or come to sensible conclusions, is a matter of frustration and disillusionment to God

This is not the "relativism of truth" presented by journalistic takes on postmodernism. Rather, the ironist's cage is a state of irony by way of powerlessness and inactivity: In a world where terrorism makes cultural relativism harder and harder to defend against its critics, marauding international corporations follow fair-trade practices, increasing right-wing demagoguery and violence can't be answered in kind, and the first black U.S. president turns out to lean right of center, the intelligentsia can see no clear path of action. Irony dominates as a "mockery of the promise and fitness of things," to return to the OED definition of irony.This thinking is appropriate to Wes Anderson, whose central characters are so deeply locked in ironist cages that his films become two-hour documents of them rattling their ironist bars. Without the irony dilemma Roth describes, we would find it hard to explain figures like Max Fischer, Steve Zissou, Royal Tenenbaum, Mr. Fox, and Peter Whitman. I'm not speaking here of specific political beliefs. The characters in question aren't liberals; they may in fact, along with Anderson himself, have no particular political or philosophical interests. But they are certainly involved in a frustrated and digressive kind of irony that suggests a certain political situation. Though intensely self-absorbed and central to their films, Anderson's protagonists are neither heroes nor antiheroes. These characters are not lovable eccentrics. They are not flawed protagonists either, but are driven at least as much by their unsavory characteristics as by any moral sense. They aren't flawed figures who try to do the right thing; they don't necessarily learn from their mistakes; and we aren't asked to like them in spite of their obvious faults. Though they usually aren't interested in making good, they do set themselves some kind of mission--Anderson's films are mostly quest movies in an age that no longer believes in quests, and this gives them both an old-fashioned flavor and an air of disillusionment and futility.

We are sorry about the way things turned out. We gave, in the phrasing of our words if not literally in the words themselves, the false impression that these pages might hold some small fragment, some slight fragrance of a greater truth. That there might be something here to be learned. Before we go any further the author of this cartoon wishes to make an apology. Such an impression was deliberately cultivated. It is a ruse. It is a lie. We are every bit as lost and afraid as children abandoned in a wood: every bit as lost as you.

Down below people were clipping by going nowhere fast. You could feel the long despairing history of the place. You could actually hear it, a low hum like the buzz of a sick bee that resonated with the fragments of a million broken dreams.

When I was 25, I believed I could change the world. At 41, I have come to the realization that I cannot change my wife, my church, or my kids, to say nothing of the world. Try as I might, I have not been able to manufacture outcomes the way I thought I could, either in my own life or other people__.

We must help men and women see the epic in the ordinary details of life.

In our world, to do what you want to do, you must first do what you have to do.

...all these things were part of the business of dreams. He had learned not to laugh at the advertisements offering to teach writing, cartooning, engineering, to add inches to the biceps and to develop the bust

In freedom you form in utter disgrace,the bars of my prison this night.While you drift on currents of seraphim heights,it is I who deserve to take flight.

It's true we all build imaginary prisons for ourselves. Believe that we are trapped behind the invisible bars of the lives we have somehow carelessly constructed for ourselves, despite our youthful promises to ourselves. We see adults who are stagnant and miserable as we grow up. They graffiti the walls behind them with their mistakes and we swear secret oaths that we will heed those warnings. We__e much too clever, we know all the shortcuts and the back alleys.

Kids think with their brains cracked wide open; becoming an adult, I've decided, is only a slow sewing shut.

When you confront, you save yourself of disillusionment.

The institution known as "school" isn't just a facility for doing classwork. It's essentially a microcosm of society, all of humanity put together in a little diorama. Bully exists in schools because war and conflict exist in the world, and school castes reflect our stratified, hierarchical society. Living in a democracy, the tyranny of the majority naturally applies at school, too. The majority -- that is to say, the people with the most friends -- are superior.

I knew nothing but shadows and I thought them to be real.

I was in misery, and misery is the state of every soul overcome by friendship with mortal things and lacerated when they are lost. Then the soul becomes aware of the misery which is its actual condition even before it loses them.

When I got home I mixed a stiff one and stood by the open window in the living room and sipped it and listened to the groundswell of traffic on Laurel Canyon Boulevard and looked at the glare of the big angry city hanging over the shoulder of the hills through which the boulevard had been cut. Far off the banshee wail of police or fire sirens rose and fell, never for very long completely silent. Twenty four hours a day somebody is running, somebody else is trying to catch him. Out there in the night of a thousand crimes, people were dying, being maimed, cut by flying glass, crushed against steering wheels or under heavy tires. People were being beaten, robbed, strangled, raped, and murdered. People were hungry, sick; bored, desperate with loneliness or remorse or fear, angry, cruel, feverish, shaken by sobs. A city no worse than others, a city rich and vigorous and full of pride, a city lost and beaten and full of emptiness. It all depends on where you sit and what your own private score is. I didn't have one. I didn't care. I finished the drink and went to bed.

I lost something magical in the process of growing up _ my disillusionment.

Maybe I had been making a greater monster of him than he really was, or maybe I was still under his influence, for I was certain that he wanted me to believe he was no more than a harmless man who happened to use vampirism to get what he desired. Some remnant of his mesmerism was still upon me. I had never been able to shake the feeling that he was tucked away in a corner of my mind, that he could read my thoughts, know what I was thinking. He had done something to me, but what that was, I had never been able to discover. All I knew was that the feeling had been with me since the morning I woke up and found myself in Venice.