You are the call and I am the answer,You are the wish, and I the fulfilment,You are the night, and I the day. What else? It is perfect enough. It is perfectly complete. You and I, What more_? Strange, how we suffer in spite of this!
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And she shrank away again, back into her darkness, and for a long while remained blotted safely away from living.
But you don't fuck me cold-heartedly,' she protested.'I don't want to fuck you at all.'Lady Chatterly's Lover
There has been so much action in the past,_ said D.H. Lawrence, __specially sexual action, a wearying repetition over and over, without a corresponding thought, a corresponding realization. Now our business is to realize sex. Today the full conscious realization of sex is even more important than the act itself.
Every man who is acutely alive is acutely wrestling his own soul.
She turned, and saw a great white moon looking at her over the hill. And her breast opened to it, she was cleaved like a transparent jewel to its light. She stood filled with the full moon, offering herself. Her two breasts opened to make way for it, her body opened wide like a quivering anemone, a soft, dilated invitation touched by the moon.
For my part, I prefer my heart to be broken. It is so lovely, dawn-kaleidoscopic within the crack.
Lawrence is the supreme poet of Eros. No recriminations, no reproaches, no guilt, no 'morality'. For what's 'morality' but a leash around the neck? A noose? What's 'morality' but what other people want you to do, for their own, selfish, unstated purposes?
The fractured self is not something that needs to be rectified fixed and made whole; by freeing thought of the blinkers of representation, the space of fracture, of multiplicity (as opposed to unity) becomes a powerful place and one from which the most radical ideas can emerge.