crazy

In a way, 'Like Crazy' keys into our generation, this idea of now we can still be in communication. Where do the boundaries of relationships end?

'Ludacris' is something that I made up. It just kind of describes me. Sometimes I have like a split personality. Sometimes I'm cool, calm, and collected, and other times I'm beyond crazy.

In the movies, every crazy old fart needs a cool old car. Jack Nicholson drove a spiffy yellow 1970 Dodge Challenger two-door in 'The Bucket List.' In 'Gran Torino,' the cranky pensioner played by Clint Eastwood not only owned a 1972 GT Sport, he also used to build cars like that at the Ford plant.

I always say, 'Hip-hop takes me everywhere.' It's crazy when I step onstage, and people might not speak much English, but they know every word to your songs. It's kind of freaky, but it's really cool.

What's really cool about LEGOs is that you can put a bunch of bricks on the table, and everybody will make something different. Everyone has different ideas, and some of them may seem crazy.

But I can hardly sit still. I keep fidgeting, crossing one leg and then the other. I feel like I could throw off sparks, or break a window--maybe rearrange all the furniture.

What I love most about this crazy life is the adventure of it.

With humor, it's so subjective that trying to think of what the ideal reader would think would drive you crazy.

I'm a big fan of gallows humor. When my aunt passed away, she was in a coma for a day before my cousins pulled the plug. And the amount of joking and base humor that went on that day around her bed was so insane. It's crazy how people talk when something horrible is happening.

We spend most of our lives cutting down our ambitions because the world has told us to think small. Dreams express what your soul is telling you, so as crazy as your dream might seem - even to you - I don't care: You have to let that out.

To be able to help a 13-year-old kid from the Bronx follow her dreams just by letting her know she's not forgotten in this crazy world - that's why I got involved with Frum Tha Ground Up.

When we started Aftermath, we had something like 20 artists, and it was driving me crazy. I couldn't sit down and focus on any of it. Plus, it was doubly hard because you ended up crushing these people's dreams when you had to let them go.

I have crazy claustrophobic dreams, weird elevator dreams where the elevator closes in and all of a sudden I am lying down - oh my God, it's a casket. Just freaky stuff like that.

I think it is often easier to make progress on mega-ambitious dreams. Since no one else is crazy enough to do it, you have little competition. In fact, there are so few people this crazy that I feel like I know them all by first name.

I'd never thought much about a series, because I liked the idea of picking a script I liked with a character I thought I could sustain for an hour. In a series, you live with one character day in and day out - and you only hope it will be one that will not drive you crazy.

You can't be a crazy rebel in the face of death, it's not a fitting attitude.

Modelling is a silly, crazy business.

Now everybody's got a crazy notion of their own. Some like to mix up with a crowd, some like to be alone. It's no one elses' business as far as I can see, but every time that I go out the people stare at me, with me little ukulele in me hand.