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boats

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The late 1920s were an age of islands, real and metaphorical. They were an age when Americans by thousands and tens of thousands were scheming to take the next boat for the South Seas or the West Indies, or better still for Paris, from which they could scatter to Majorca, Corsica, Capri or the isles of Greece. Paris itself was a modern city that seemed islanded in the past, and there were island countries, like Mexico, where Americans could feel that they had escaped from everything that oppressed them in a business civilization. Or without leaving home they could build themselves private islands of art or philosophy; or else - and this was a frequent solution - they could create social islands in the shadow of the skyscrapers, groups of close friends among whom they could live as unconstrainedly as in a Polynesian valley, live without moral scruples or modern conveniences, live in the pure moment, live gaily on gin and love and two lamb chops broiled over a coal fire in the grate. That was part of the Greenwich Village idea, and soon it was being copied in Boston, San Francisco, everywhere.

MC
Malcolm Cowley

Exile's Return: A Literary Odyssey of the 1920s

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Stay in your boats,_ Dahra said. __e__e still going to need food. Throw your fish onto the dock. I__l get Albert to send someone here to collect it. Then go back out, row up the coast a little ways, and camp out.___amp out?_ Quinn echoed.__es!___ou__e serious.___o, it__ my idea of a joke, Quinn,_ Dahra snapped. __ookie just coughed up a lung and fell over dead. You understand what I__ saying? I mean he coughed his actual lungs out of his mouth.

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White-crested waves crash on the shore. The masts sway violently, every which way. In the gray sky the gulls are circling like white flakes. Rain squalls blow past like gray slanting sails, and blue gaps open in the sky. The air brightens. A cold silvery evening. The moon is overhead, and down below, in the water; and all around it-a wide frame of old, hammered, scaly silver. Etched on the silver-silent black fishing boats, tiny black needles of masts, little black men casting invisible lines into the silver. And the only sounds are the occasional plashing of an oar, the creaking of an oarlock, the springlike leap and flip-flop of a fish. ("The North")

YZ
Yevgeny Zamyatin

The Dragon: Fifteen Stories