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Although the art world is frequently characterised as a classless scene where artists from lower-msddle-class backgrounds drink champagne with high-priced hedge-fund managers, scholarly curators, fashion designers and other "creatives," you'd be mistaken if you thought the world was egalitarian or democratic. Art is about experimenting with ideas, but it is also about excellence and exclusion. In a society where everyone is looking for a little distinction, it's an intoxicating combination.

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Sarah Thornton

Seven Days in the Art World

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She puts away four small plastic cups of red wine and then stares at a painting of a topless girl with a large silver sword for a half hour and then she begins to think: You call this art? This isn__ art! This is a joke! All of you are a joke! Fuck you and fuck Jeff Koons and the rest of those _80s art-star wannabes. Where__ the art that makes people weep? Where__ the art that makes people want to go to church? None of this is the least bit interesting. All of this stuff, all of this is so self-aware. It__ for ironic art snobs. I want something brilliant. I want something stunning. I want something that makes me look in wonder_

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Schelling's God is the totality of Nature struggling towards consciousness, and Man is as far as the struggle has got, with the animals not too far behind, vegetables somewhat lagging, and rocks nowhere as yet. Do we believe this? Does it matter? Think of it as a poem or a painting. Art doesn't have to be true like a theorem. It can be true in other ways. This truth says there is a meaning to it all, and Man is where the meaning begins to show.

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Kate Walker´s attitude is characteristic of contemporary feminists' determination not to reject femininity but to empty the term of its negative connotations, to reclaim and refashion the category: "I have never worried that embroidery's association with femininity, sweetness, passivity and obedience may subvert my work's feminist intention. Femininity and sweetness are part of women's strength. Passivity and obedience, moreover, are the very opposites of the qualities necessary to make a sustained effort in needlework. What's required are physical and mental skills, fine aesthetic judgement in colour, texture and composition; patient during long training: and assertive individuality of design (and consequence disobedience of aesthetic convention). Quiet strength need not be mistaken for useless vulnerability".

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Rozsika Parker

The Subversive Stitch: Embroidery and the Making of the Feminine