Horror is like the humor, the one without the other can't exist. Horror makes life more interesting like the humor!
The saxophone is a very interesting machine, but I'm more interested in music.
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The saxophone is a very interesting machine, but I'm more interested in music.
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After a few sips, he picked up his sax and started jamming with the storm.Most days, Rivers meditated twice, when he awoke and again in the evening before writing or reading. But he still found a special relaxation and renewal in solitary playing. Contemplation through music was different from other reflective experiences, in part, because his visual associations were set free to mutate, morph, and meander; while the other senses were occupied in fierce concentraction on breathing, blowing, fingering, and listening. Within the flow of this activity, his awareness would land in different states of consciousness, different phases of time, and easily moved between revisualization of experience and its creation.The playing dislodged hidden feelings, primed him for recognizing the habitually denied, sheathed the sword of lnaguage, and loosened the shield and armor of his character. His contemplative playing purged him of worrisome realities, smelted off from his center the dross of eperience, and on those rare and cherished days, left only the refinement of flickering fire. Although he was more aware of his emotions, the music and dance of thought kept them at arm__ length, Wordsworth__ __motion recollected in tranquility._ . . .As he played, his mind__ eye became the fisher__ bobber, guided by a line of sound around the driftwood of thought, the residue of his life, which materialized from nowhere and sank back into nothingness without his weaving them into any insistent pattern of order and understanding. He was momentarily freed of logical sequencing, the press of premises, the psycho-logic of primary process, the throb of Thought pulsing in and through him, and in billions of mind/bodies, now and throughout time, belonging each to each, to none, to no one, to Everyone, rocking back and forward in an ebb and flow of wishes, fears, and goals. He fished free of desire, illusion, or multiplicity; distant from the hook, the fisher, the fish; but tethered still on the long line of music, until it snagged on an immovable object, some unquestioned assumption, or perhaps a stray consummation, a catch in the flow of creation and wonder.
It is the adventure and uncertainties of the journey that makes life so beautiful and interesting.
Writers are not narcissists. They simply acknowledge that what they find interesting is not unique to them.
Always let life be wild. Forever have life be interesting.
THE UNOFFICIAL AND UNWRITTEN(but you better follow them or you__e going to get beaten twice as hard)SPOKANE INDIAN RULES OF FISTICUFFS:1. IF SOMEBODY INSULTS YOU, THEN YOU HAVE TO FIGHT HIM.2. IF YOU THINK SOMEBODY IS GOING TO INSULT YOU, THEN YOU HAVE TO FIGHT HIM.3. IF YOU THINK SOMEBODY IS THINKING ABOUT INSULTING YOU, THEN YOU HAVE TO FIGHT HIM.4. IF SOMEBODY INSULTS ANY OF YOUR FAMILY OR FRIENDS, OR IF YOU THINK THEY__E GOING TO INSULT YOUR FAMILY OR FRIENDS, OR IF YOU THINK THEY__E THINKING ABOUT INSULTING YOUR FAMILY OR FRIENDS, THEN YOU HAVE TO FIGHT HIM.5. YOU SHOULD NEVER FIGHT A GIRL, UNLESS SHE INSULTS YOU, YOUR FAMILY, OR YOUR FRIENDS, THEN YOU HAVE TO FIGHT HER.6. IF SOMEBODY BEATS UP YOUR FATHER OR YOUR MOTHER, THEN YOU HAVE TO FIGHT THE SON AND/OR DAUGHTER OF THE PERSON WHO BEAT UP YOUR MOTHER OR FATHER.7. IF YOUR MOTHER OR FATHER BEATS UP SOMEBODY, THEN THAT PERSON__ SON AND/OR DAUGHTER WILL FIGHT YOU.8. YOU MUST ALWAYS PICK FIGHTS WITH THE SONS AND/OR DAUGHTERS OF ANY INDIANS WHO WORK FOR THE BUREA OF INDIAN AFFAIRS.9. YOU MUST ALWAYS PICK FIGHTS WITH THE SONS AND/OR DAUGHTERS OF ANY WHITE PEOPLE WHO LIVE ANYWHERE ON THE RESERVATION.10. IF YOU GET IN A FIGHT WITH SOMEBODY WHO IS SURE TO BEAT YOU UP, THEN YOU MUST THROW THE FIRST PUNCH, BECAUSE IT__ THE ONLY PUNCH YOU__L EVER GET TO THROW.11. IN ANY FIGHT, THE LOSER IS THE FIRST ONE WHO CRIES.