As Roran watched, the man's arms, neck, and chest shriveled, and his bones appeared in sharp relief-from the bowlike curve of his collarbones to the hollow saddle of his hips, where his stomach hung like an empty waterskin. His lips puckered and drew back farther than they were intended to over his yellow teeth, baring them in a grisly snarl, while his eyeballs deflated as if they were engorged ticks being squished empty of blood, and the surrounding flesh sank inward.

Now that little problem of yours, this business of not knowing good men from bad men and villains from heroes and so forth...There's still plenty for you to do. And you'll do it. And when you fall in love and have a mistress or a wife and children to look after, it will all seem easier." He opened the door but stopped on the threshold. "Surround yourself with human beings, my dear. They are easier to fight for than principles." He laughed. "But don't let me down and become human yourself. We would lose such a wonderful machine." With a wave of his hand he shut the door.

If we stop helping people because we__e afraid, or ambivalent or whatever, then we lose. Let them do evil. I__l stop them.

She wrote, in the last pages, of feeling all the evil of the neighborhood around her. Rather, she wrote obscurely, good and evil are mixed together and reinforce each other in turn. Marcello, if you thought about it, was really a good arrangement, but the good tasted of the bad and the bad tasted of the good, it was a mixture that took your breath away. A few evenings earlier, something had happened that had really scared her. Marcello had left, the television was off, the house was empty, Rino was out, her parents were going to bed. She was alone in the kitchen washing the dishes and was tired, really without energy, when there was an explosion. She had turned suddenly and realized that the big copper pot had exploded. Like that, by itself. It was hanging on the nail where it normally hung, but in the middle there was a large hole and the rim was lifted and twisted and the pot itself was all deformed, as if it could no longer maintain its appearance as a pot. Her mother had hurried in in her nightgown and blamed her for dropping it and ruining it. But a copper pot, even if you drop it, doesn't break and doesn't become misshapen like that. "It's this sort of thing," Lila concluded, "that frightens me. More than Marcello, more than anyone. And I feel that I have to find a solution, otherwise, everything, one thing after another, will break, everything, everything.

It is always a great honor to be the driver of your own car, to be the boss of your own fate!

My arm began moving, turning the invisible crank of Death's music box. Somewhere inside, I didn't want the melody to end.