The process of self-invention is never-ending; writer, like children, are always growing into their gifts. (Susan Larson in a "Times-Picayune" book review.
The effect your readers want is for what they read to trigger in them the sights and sounds and smells of what's happening in the story. They don't want approximations, they don't want a report, they want to experience the story's reality.
Flogging the Quill: Crafting a Novel that Sells
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The effect your readers want is for what they read to trigger in them the sights and sounds and smells of what's happening in the story. They don't want approximations, they don't want a report, they want to experience the story's reality.
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Write the ending first and then you'll know before the opening sentence that it's going to be a good book.
...it's not the medium that's the message - it's consciousness - the wonder of being able to wonder ...
Just write. That's my only tip. And read. I guess that's two.
Don't think too much. There'll be time to think later. Analysis won't help. You're chiseling now. You're passing your hands over the wood. Now the page is no longer blank. There's something there. It isn't your business yet to know whether it's going to be prize-worthy someday, or whether it will gather dust in a drawer. Now you've carved the tree. You've chiseled the marbled. You've begun.
When a solid first draft of an original tale is complete...you feel as if you could do anything.