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To understand the __ounded men_ of Upper Palaeolithic art, I now consider somatic hallucinations; these include attenuation of the body and limbs, polymelia (having extra limbs or digits), and, the one on which I focus, pricking and stabbing sensations.
Anonymous The Mind in the Cave: Consciousness and the Origins of Art
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To understand the __ounded men_ of Upper Palaeolithic art, I now consider somatic hallucinations; these include attenuation of the body and limbs, polymelia (having extra limbs or digits), and, the one on which I focus, pricking and stabbing sensations.
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Anonymous

The Mind in the Cave: Consciousness and the Origins of Art

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