Shia LaBeouf

I don't know, I just want to be happy. I could be in a hole somewhere. Or I could completely lose it and be some hippy living in the woods with my dad.

Now my dad is with me, traveling with me and a big part of this whole thing is I like to mix it up a little bit, you know. Who gets to take their father on a private jet across the country and stay in first class hotels? So we're enjoying it, but I'd stop if it's not possible.

My dad is a motorcycle guy, not some Hollywood dude.

I didn't know my dad for a long time. My dad was on drugs and my dad was at the VA Hospital, my dad was off in his own world selling drugs or using them or there would be crack heads in the house or whatever it would be.

I was in a relationship with a girl I loved for three years. Where do you go after three years? Then you've got to start thinking about other things, and I'm too young to think about those things.

A relationship to me is never about the romance.

My first car, I got it in an auction at my temple. It was an '86 Volvo that I got for 500 bucks, and then wound up throwing $10,000 into the stereo system and put TVs in the foot rests. It was the most ridiculous Volvo you'd ever seen, but I had never had money before and I was out of my mind.

I've spent more on my Dodger tickets that I did on my car.

If I have enough money to eat I'm good.

I want my audience to know me for my work, not because of who I'm dating or what drugs I'm on or what club I went to.

My mom is at my house every day, and she nags me about everything, especially hygiene.

My mom is the backbone not just of my family but of many families.

If you're trying to learn how to act from a class, you're analyzing the teachers' movements and their intricacies, and it becomes like a pantomime of you wanting to be them, and that's wrong. Literature is an easier way to study acting, because then you can take any kind of spin. It's your own imagination, and your own version of it.

Once you make a studio 700 million dollars or so, or whatever the insane number is, then they finally seem to trust you, no matter how off-the-wall your project is.

I come from divorce. I'm only doing marriage once. It's not a game for me.

I'm not a strikingly handsome guy, but I'm in movies.

When people ask me about my story, I just go through the positive stuff: the tent-pole moments, the big landmark checkpoints.

I've had to deal with all different types of situations - positive and negative and extremes of both.