Robert Michael Pyle

I thought of a sign I had seen... another scary time, when I was two hundred feet up in a giant karri tree in South West Australia. At the point where the precarious spiral ladder grew even steeper and narrower to reach the fire-watch platform atop the tree, the sign said: 'Reassess Your Situation Now: Turn Back if You Are Not Comfortable'. Then, as now, that seemed like damn good advice.

Along with rising and falling water, winter is the province of wind. When the sea-breath and mountain-roar bend the hemlocks of these hills, the birds hang on as best they can.

We look up, if only to see if we're likely to be rained on. The sky calls attention to itself, whether scored by herons, cranes, or wires; illumined by sunsets, Perseids, or ballparks; broken up by the twigwork of oaks or maples, painted in rainbows, or just primed in the pale gray of my '52 Ford. If we are truthful, the sky is never neutral.

still other winters average their rain months into a long, cold season of relentless sog and little color. At such times, looking out through the spattered glass, I feel, deep in some spongy, unignorable organ, that we will have floods, and damage, and losses; we will have gray till the cows come home, and there will be no more cows--they'll all just rot, drown, or simply wash away. We will have rain until the very hills dissolve. And when the dirty cotton swaddling of fog finally falls away, we will all be desperate for vital signs.

when that small Siberian bird fell out of the sky over Gray's River, not once but twice, he brought with him the sweetness of chance in any place, the certainty of wonder in all places. And if that's not grace, I don't know what it.

It is the gift of stories that most repays life among settled people.