Margaret Atwood

It isn't running away they're afraid of. We wouldn't get far. It's those other escapes, the ones you can open in yourself, given a cutting edge.

Time in dreams is frozen. You can never get away from where you've been.

Pearls are congealed oyster spit.

Think of yourselves as pearls. We, sitting in our rows, eyes down, we make her salivate morally. We are hers to define, we must suffer her adjectives. I think about pearls. Pearls are congealed oyster spit.

It was Colonel Parkman who upped stakes, crossed the border, and named our town, thus perversely commemorating a battle in which he'd lost. (Though perhaps that's not so unusual: many people take a curatorial interest in their own scars.) He's shown astride his horse, waving a sword and about to gallop into the nearby petunia bed: a craggy man with seasoned eyes and pointed beard, every sculptor's idea of every cavalry leader. No one knows what Colonel Parkman really looked like, since he left no pictorial evidence of himself and the statue wasn't erected until 1885, but he looks like this now. Such is the tyranny of Art.On the left-hand side of the lawn, also with a petunia bed, is an equally mythic figure: the Weary Soldier, his three top shirt buttons undone, his neck bowed as if for the headman's axe, his uniform rumpled, his helmet askew, leaning on his malfunctioning Ross rifle. Forever young, forever exhausted, he tops the War Memorial, his skin burning green in the sun, pigeon droppings running down his face like tears.

[T]he mothers who had sold their children felt empty and sad. They felt as if this act, done freely by themselves (no one had forced them, no one had threatened them) had not been performed willingly. They felt cheated as well, as if the price had been too low. Why hadn't they demanded more? And yet, the mothers told themselves, they'd had no choice.

What thumbsuckers we all are...when it comes to mothers.

Have I been conditioned to believe that if I am not solicitous, if I am not forthcoming, if I am not a never-ending cornicopia of entertaining delights, they will take their collections of milk-bottle tops and their mangy one-eared teddy bears and go away into the woods by themselves to play snipers? Probably. What my mother thinks was merely cute may have been lethal.

Have I been conditioned to believe that if I am not solicitous, if I am not forthcoming, if I am not a never-ending cornicopia of entertaining delights, they will take their collections of milk-bottle tops and their mangy one-eared teddy bears and go away into the woods by themselves to play snipers? Probably. What my mother things was merely cute may have been lethal.

What a moron I was to think you were sweet and innocent, when it turns out you were actually college-educated the whole time!

Two-thirty comes during Testifying. It's Janine, telling about how she was gang-raped at fourteen and had an abortion.But whose fault was it? Aunt Helena says, holding up one plump finger. Her fault, her fault, her fault. We chant in unison. Who led them on? She did. She did. She did. Why did God allow such a terrible thing to happen? Teach her a lesson. Teach her a lesson. Teach her a lesson.

By telling you anything at all I'm at least believing in you, I believe you're there, I believe you into being. Because I'm telling you this story I will your existence. I tell, therefore you are.

He__ a young man, my own age or a little older, which is young for a man although not for a woman, as at my age a woman is an old maid but a man is not an old bachelor until he__ fifty, and even then there__ still hope for the ladies, as Mary Whitney used to say.

Girl Without HandsWalking through the ruinson your way to workthat do not look like ruinswith the sunlight pouring overthe seen worldlike hail or meltedsilver, that brightand magnificent, each leafand stone quickened and specific in it,and you can't hold it,you can't hold any of it. Distance surrounds you,marked out by the ends of your armswhen they are stretched to their fullest.You can go no farther than this,you think, walking forward,pushing the distance in front of youlike a metal cart on wheelswith its barriers and horizontals.Appearance melts away from you,the offices and pyramidson the horizon shimmer and cease.No one can enter that circleyou have made, that clean circleof dead space you have madeand stay inside,mourning because it is clean.Then there's the girl, in the white dress,meaning purity, or the failureto be any colour. She has no hands, it's true.The scream that happened to the airwhen they were taken offsurrounds her now like an aureoleof hot sand, of no sound.Everything has bled out of her.Only a girl like thiscan know what's happened to you.If she were here she wouldreach out her arms towardsyou now, and touch youwith her absent handsand you would feel nothing, but you would betouched all the same.

It can__ last forever. Others have thought suchthings, in bad times before this, and they were always right, they did get out one way or another, and it didn__last forever. Although for them it may have lasted all the forever they had.

It can't last forever. Others have thought such things, in bad times before this, and they were always right, they did get out one way or another, and it didn't last forever. Although for them it may have lasted all the forever they had.

Science fiction, to me, has not only things that wouldn't happen, but other planets.

She would roll up her sleeves and dispense with sentimentality, and do whatever blood-soaked, bad-smelling thing had to be done. She would become adept with axes.