Kim Edwards

She imagined herself as some sort of vessel to be filled up with love. But it wasn't like that. The love was within her all the time, and its only renewal came from giving it away.

Away from the bright motion of the party, she carried her sadness like a dark stone clenched in her palm.

All that sunny afternoon, traveling north and east, Caroline believed absolutely in the future. And why not? For if the worst had already happened to them in the eyes of the world, then surely, surely, it was the worst that they left behind them now.

Once, this whole world had been hidden beneath a shallow sea.

The thing is, I used to like that: feeling special because I knew something no one else did. It's a kind of power, isn't it, knowing a secret? But lately I don't like it so much, knowing this. It's not really mine to know, is it?

No one could suspect the intricate mysteries of her heart.

It's funny how things seem different, suddenly.

After all these years, I feel so free. Who knows where I might fly?

... the Iroquois take dreams very seriously. They see them as the secret wishes of the soul--the heart's desire, so to speak. Not all dreams, maybe, but the important ones. [p.254]

Some dreams matter, illuminate a crucial choice or reveal some intuition that's trying to push its way to the surface. Other, though, are detritus, the residue of the day reassembling itself in some disjointed and chaotic way ... Frantic dreams, they left me tired, and I woke grouchy to another rainy day, the sky so densely gray and the rain so thick that I couldn't that I couldn't see the opposite shore [p, 166]

Rows and rows of books lined the shelves and I let my eyes linger on the sturdy spines, thinking how human books were, so full of ideas and images, worlds imagined, worlds perceived; full of fingerprints and sudden laughter and the sighs of readers, too. It was humbling to consider all these authors, struggling with this word or that phrase, recording their thoughts for people they'd never meet. In that same way, the detritus of the boxes was humbling - receipts, jotted notes, photos with no inscriptions, all of it once held together by the fabric of lives now finished, gone.

You can't stop time. You can't capture light. You can only turn your face up and let it rain down.

Many Lexington natives believe they live in a special place, one impossible to leave. I'm not so sure about that - or it's more accurate to say I think a more general truth exists beneath it: the place you first call home stays with you always, whether you remain or go.

My first job was in a nursing home - a terrible place in retrospect. It was in an old house, and the residents were so lonely. People rarely visited them. I only stayed there a couple of months, but it made a strong impression on me.

You don't want to engage in road rage when the person in the next car might be your child's future teacher or your dentist's father.

'The Lake of Dreams' grew gradually, over many years, elements and ideas accruing until they gained enough critical mass to become a novel.

I lived for two years in Odawara, a castle town an hour outside of Tokyo, near the sea. It's a beautiful place, and I drew on my experiences there when writing 'The Lake of Dreams.'

You don't know when you are immersed in a book what the reaction to it will be, but I feel great about 'The Lake of Dreams.'