Khaled Hosseini

Years later, I learned an English word for the creature that Assef was, a word for which a good Farsi equivalent does not exist: sociopath.

I read daily, not so much for the benefit of my writing, but because I am addicted to it. There is nothing in the world for me that compares to being lost in a really good novel. That said, reading is an absolute must if you want to write. It is a trite enough thing to say, but very true nonetheless. I cannot understand aspiring writers who email me for advice and freely admit that they read very little. I have learned something from every writer I have ever read. Sometimes I have done so consciously, picking up something about how to frame a scene, or seeing a new possibility with regards to structure, or interesting ways to write dialogue. Other times, I think, my collective reading experience affects my sensibilities and informs me in ways that I am not quite aware of, but in real ways that impact how I approach writing. The short of it is, as an aspiring writer, there is nothing as damaging to your credibility as saying that you don__ like to read

Nothing good came free. Even love. You paid for all things. And if you were poor, suffering was your currency.

If there was a God, he'd guide the winds, let them blow for me so that, with a tug of my string, I'd cut loose my pain, my longing.

And the past held only this wisdom: that love was a damaging mistake, and its accomplice, hope, a treacherous illusion.

And the past held only this wisdom: that love was a damaging mistake, and its accomplice, hope, a treacherous illusion. And whenever those twin poisonous flowers began to sprout in the parched land of that field, Mariam uprooted them. She uprooted them and ditched them before they took hold.

That same night, I wrote my first short story. It took me thirty minutes. It was a dark little tale about a man who found a magic cup and learned that if he wept into the cup, his tears turned into pearls. But even though he had always been poor, he was a happy man and rarely shed a tear. So he found ways to make himself sad so that his tears could make him rich. As the pearls piled up, so did his greed grow. The story ended with the man sitting on a mountain of pearls, knife in hand, weeping helplessly into the cup with his beloved wife's slain body in his arms.

Only two weeks since he had left, and it was already happening. Time, blunting the edges of those sharp memories. Laila bore down mentally. What had he said? It seemed vital, suddenly, that she know.Laila closed her eyes. Concentrated.With the passing of time, she would slowly tire of this exercise. She would find it increasingly exhausting to conjure up, to dust off, to resuscitate once again what was long dead. There would come a day, in fact, years later, when Laila would no longer bewail his loss. Or not as relentlessly; not nearly. There would come a day when the details of his face would begin to slip from memory's grip, when overhearing a mother on the street call after her child by Tariq's name would no longer cut her adrift. She would not miss him as she did now, when the ache of his absence was her unremitting companion__ike the phantom pain of an amputee.Except every once in a long while, when Laila was a grown woman, ironing a shirt or pushing her children on a swing set, something trivial, maybe the warmth of a carpet beneath her feet on a hot day or the curve of a stranger's forehead, would set off a memory of that afternoon together. And it would come rushing back. The spontaneity of it. Their astonishing imprudence...It would flood her, steal her breath.But then it would pass. The moment would pass. Leave her feeling deflated, feeling noting but a vague restlessness.

Nothing came out. Suddenly I was hovering, looking down on myself from above.

You see, some things I can teach you. Some you learn from books. But they are things that, well, you just have to see and feel. p.147

She passed these years in a distant corner of her mind. A dry, barren field, out beyond wish and lament, beyond dream and disillusionment. There, the future did not matter. And the past held only this wisdom: that love was a damaging mistake, and it accomplice, hope, a treacherous illusion.

I've crossed paths since with men like him. I wish I could say differently. But I have. And what I have learned is that you dig a little and you find they're all the same, give or take. Some are more polished, granted. They may come with a little bit of charm-- Or a lot -- and that can fool you. But really they're all unhappy little boys sloshing around in their own rage. They feel wronged. They haven't been given their due. No one loved them enough. Of course they expect you to love them. They want to be held, rocked, reassured. But it's a mistake to give it to them. They can't accept it. They can't accept the very thing they're needing. They end up hating you for it. And it never ends because they can't hate you enough. It never ends-- the misery, the apologies, the promises, the reneging, the wretchedness of it all. My first husband was like that.

James Parkinson. George Huntington. Robert Graves. John Down. Now this Lou Gehrig fellow of mine. How did men come to monopolize disease names too?

I thought about you all the time. I used to pray that you__ live to be a hundred years old. I didn__ know. I didn__ know that you were ashamed of me.

There is only one sin, only one. And that is theft. Every other sin is a variation of theft... When you kill a man, you steal a life. You steal his wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness.

Thirteen days. Almost two weeks. And, just five days in, she had learned a fundamental truth about time: Like the accordion on which old Pashto songs were sometimes played, time stretched and contracted depending on his absence or presence.

She remembered all too well how time had dragged without him, how she had shuffled about feeling waylaid, out of balance. How she could ever cope with his permanent absence?

Thirteen days. Almost two weeks. And, just five days in, she had learned a fundamental truth about time: Like the accordion on which sometimes played old Pashto songs were played, time stretched and contracted depending on his absence or presence.