Ken Liu

There is often no line between perfection and evil.

Yet, my grandfather was not a monster. He was simply a man of ordinary moral courage whose capacity for great evil was revealed to his and my everlasting shame. Labeling someone a monster implies that he is from another world, one which has nothing to do with us. It cuts off the bonds of affection and fear, assures us of our own superiority, but there's nothing learned, nothing gained. It's simple, but it's cowardly. I know now that only by empathizing with a man like my grandfather can we understand the depth of the suffering he caused. There are no monsters. The monster is us.

As a jailer, I never got to understand my charges. But when I became a bandit, I spent a lot of time being close to the lowliest of the low: criminals, the enslaved, deserters, men who had nothing to lose. Contrary to what I had expected, I found that they had a hardscrabble beauty and grace. They were not mean in their nature, but made mean by the meanness of their rulers. The poor were willing to endure much, but the emperor had taken everything from them.

It is as if the Caru'ee were able to perceive an echo of the past, and unconsciously, as they built upon a palimpsest of books written long ago and long forgotten, chanced to stumble upon an essence of meaning that could not be lost, no matter how much time had passed.

At this moment, in this place, the shifting action potential in my neurons cascade into certain arrangements, patterns, thoughts; they flow down my spine, branch into my arms, my fingers, until muscles twitch and thought is translated into motion; mechanical levers are pressed; electrons are rearranged; marks are made on paper.At another time, in another place, light strikes the marks, reflects into a pair of high-precision optical instruments sculpted by nature after billions of years of random mutations; upside-down images are formed against two screens made up of millions of light-sensitive cells, which translate light into electrical pulses that go up the optic nerves, cross the chiasm, down the optic tracts, and into the visual cortex, where the pulses are reassembled into letters, punctuation marks, words, sentences, vehicles, tenors, thoughts.The entire system seems fragile, preposterous, science fictional.

Time's arrow is the loss of fidelity in compression. A sketch, not a photograph. A memory is a re-creation, precious because it is both more and less than the original.

I've always thought it nonsense to believe something true simply because it was written in a book long ago.

The calf is capable of walking quite well now," Dazu said. "He never stumbles.""But I told you to carry him back here," the teacher said. "The first thing a soldier must learn is to obey orders."Every day, the calf grew a little heavier, and every day, Dazu had to struggle a little harder. He would collapse, exhausted, when he finally got to the ranch, and the calf would bound out of his arms, glad to be able to walk on his own and stretch out.When winter rolled around again, Médo handed him a wooden sword and asked him to strike as hard as he could at the practice dummy. Dazu looked with distaste at the crude weapon with no edge, but he swung obediently.The wooden dummy fell in half, cut clean through. He looked at the sword in his hand with wonder."It's not the sword," his teacher said. "Have you looked at yourself lately?" He brought Dazu to stand in front of a brightly polished shield.The young man could hardly recognize the reflection. His shoulders filled the frame of the mirror. His arms and thighs were twice as thick as he remembered, and his chest bulged over his narrow waist."A great warrior trusts not his weapons, but himself. When you possess true strength, you can deal a killing blow even if all you have is a blade of grass."Now you're finally ready to learn from me. But first, go thank the calf for making you strong.

I thought my duty was to restore Haan, but Haan is not King Cosugi or the burned-down palace or the ruins of the great estates or the dead nobles and their descendants pining for glory-these are but parts of an experiment at a way of life for the people of Haan, her true essence. When the experiment has proven to be a failure, one must be willing to try new paths, new ways of doing things.

As the wind continued to howl and groan through her decaying body, she began to sing her story.

I have seen the poor suffer when nobles seek the purity of ideals. I have seen the powerless die when princes believe in the nostalgia of their dreams. I have seen the common people torn from peace and thrown into war when kings yearn to test the clarity of their vision.

He intrigued her. Powerful men, in her experience, were usually not so full of doubt. Kuni was consumed by the desire to do good for others, but uncertain what "good" might be and whether he was the right man for the job.Kuni was the sort of man, Risana realized, who, rather than deceive himself, was so full of self-doubt that he could not longer see himself

Who can say if the thoughts you have in your mind as you read these words are the same thoughts I had in my mind as I typed them? We are different, you and I, and the qualia of our consciousnesses are as divergent as two stars at the ends of the universe.And yet, whatever has been lost in translation in the long journey of my thoughts through the maze of civilization to your mind, I think you do understand me, and you think you do understand me. Our minds managed to touch, if but briefly and imperfectly.Does that thought not make the universe seem just a bit kinder, a bit brighter, a bit warmer and more human?We live for such miracles.

I don't pay much attention to the distinction between fantasy and science fiction__r between __enre_ and __ainstream_ for that matter. For me, all fiction is about prizing the logic of metaphors-which is the logic of narratives in general__ver reality, which is irreducibly random and senseless.We spend our entire lives trying to tell stories about ourselves__hey__e the essence of memory. It is how we make living in this unfeeling accidental universe tolerable. That we call such a tendency __he narrative fallacy_ doesn__ mean it doesn__ also touch upon some aspect of the truth.Some stories simply literalize their metaphors a bit more explicitly.

But it's not really Chinese, is it?'Logan was thoughtful for a moment. "I don't know. I guess you'd say it's really not if you look back thousands of years. But I don't think that way. Lots of things start out not Chinese and end up that way.

Clearing away the superficial structure of the reigns of emperors and the dates of battles, there was the deeper rhythm of history's ebb and flow not as the deeds of great men, but as the lives lived by ordinary men and women wading through the currents of the natural world around them: its geology, its seasons, its climate and ecology, the abundance and scarcity of the raw material for life.

A little self-doubt is a good thing," said Jia, "but not excessive doubt. Sometimes we live up to the stories others tell about us.

But being the mirrors for each other's souls has a cost: by the time they part from each other, the individuals in the mating pair have become indistinguishable. Before their merger, they each yearned for the other; as they part, they part from the self. The very quality that attracted them to each other is also, inevitably, destroyed in their union.