Joe Boyd

I never knew cocaine to improve anything. When the white lines came out, it was time to call it a night: the music could only get worse. If I joined in, the next day's playback would provide clear evidence of the deterioration of both the performances and of my critical ability to judge them. I suspect that the surge in cocaine's popularity explains - at least in part - why so many great sixties artists made such bad records in the following decade.

Cops and Robbers in 1965 England was still a kind of Ealing comedy: crimes rarely involved firearms. The denizens of F-wing were losers in a game they had been playing against the cops. In queues for exercise, the constant questions were 'What you in for, mate?', followed by 'What you reckon you'll get?' When Freddie and I responded with 'Suspicion of drug possession' and 'We're innocent, we'll get off' they would burst into laughter, offering: 'Listen, mate, they wouldn't have you in here if they had any intention of letting you off. You're living in dreamland, you are.