Jeff Hobbs

At Yale, most everyone (except Oswaldo Gutierrez) refrained from telling Rob what to do, because of the way he'd grown up in Newark. In Newark, most everyone (except Oswaldo Gutierrez) refrained from telling Rob what to do, because of the way he'd gone to Yale.

But words mattered, more so in Newark than many other places. In a world where income and possessions were limited, words represented dignity, pride, self-worth.

Her son seemed to be belatedly rebelling against all his celebrated accomplishments- as well as the responsibilities inherent in them, the obligations to own his talents.In that rebellion, she saw a young man who was confused and upset that his life wasn't stacking up to be what he and everyone around him had always assumed it would.

Unbeknownst to me, from the beginning of freshman year Rob and Oswaldo had been drawn away from Yale via their friends on the dining hall and custodial staffs, outward into the city of New Haven. Rob considered these excursions a much-needed dose of reality, the social equivalent of an antidepressant.

The word "fronting" was important to Rob. A coward who acted tough was fronting. A nerd who acted dumb was fronting. A rich kid who acted poor was fronting. Rob found the instinct very offensive, and in college he saw it all around.

Oswaldo was flummoxed by the fact that his friend could be so quiet, almost embarrassed, about his academic acumen, yet so damn loud and proud of his status as a premier campus drug dealer."I've never met anyone so smart but so fucking dumb," he told Rob.

The student body, too, felt more diverse. Rob spoke often of "real people" with his friends, by which he meant people who struggled, like they all did. On the Ivy League campus visits, any sense of daily or long-term struggle had seemed airbrushed. At Johns Hopkins___nd maybe he was only imagining this because of the Ivy League stigma absent in Baltimore___ob believed the average student had worked harder and sacrificed more to be there.

In East Orange, initiations were completed by murdering someone, for no other reason than to prove to a tremendously cold, tremendously tight brotherhood that you possessed the hardness required to watch their backs.

The men her girlfriends dated were too often angry and muttering about oppression. One of the reasons she took to Skeet later in life was that he never went to that place; he believed with a firm positivity that he didn't need to waste time resenting real or imagined social constructs because he would always be ahead of them. The individual, not the people, was responsible for success or failure.

He was known to hit low, drive upward from the hips, and flip other boys over his shoulder and onto their backs, knocking the wind out of them on the glass-littered asphalt, sometimes causing a fumble and always inciting cheers from onlookers up and down the street___specially when he punctuated the hit with the words "Patent that!"...This permissible violence was unique in that it elicited respect from the victim rather than calls for retribution.

...he wondered how a person as bright and deserving as Rob Peace could have made the choices, beginning on the night of that banquet, that had resulted in this. And he figured that the choices hadn't necessarily begun on that night. Most likely, they'd begun on the night he was born, and not all of them had been his to make.

He saw something more in those eyes. The emotion wasn't nakedly apparent, but Mr. Cawley was a professional at reading the subtleties of people. The elderly and wildly successful credit card magnate believed that certain human frailties could actually help fuel success. Insecurity drove billionaire entrepreneurs. Emotional instability made for superb art. The need for attention built great political leaders. But anger, in his experience, led only to inertia.