Jeanine Basinger

Deanna Durbin's movies are about innocence and sweetness. They're from a different time and a different place. Outside the movie house, there was Depression, poverty, war, death, and loss. Audiences then were willing to pretend, to enter into a game of escape. No one really thought that the world was like a Deanna Durbin movie, they just wanted to pretend it was for about an hour and a half.

The true marriage movie involving in-laws and children is a story about how marriage is directly affected by external characters who impact the central relationship in various ways.

In-laws were often used as plot devices to drive a happy couple apart, to destroy marital love and trust.

When it came to portraying couples who never directly connected, the Newmans were the Olympic gold champions

Movies endorsed unwanted ideas by putting them into story form and resolving them up there on the screen. The goal was, as always, identification, but also relief.

Excellent films do exist on the subject, however, and one is a pure marriage movie in which Newman and Woodward make it work. Mr. and Mrs. Bridge exists to tell moviegoers that the marriage of their parents__specially if they were those tragic dogsbodies, Midwesterners__ere fogbound. The film depicts a steady relationship that has no real communication between its couple

The story of a marriage was an excellent way to fulfill the goal of discussing class without discussing class, and to tell an audience that they were upwardly mobile.

Movies with interfering in-laws and kids are often presented as comic, the ridicule bringing welcome relief to beleaguered married folks suffering offscreen at the hands of relatives.

Joanne Woodward__ Mrs. Bridge is one of the best performances ever given on film of a middle-aged woman.

The ghastly mother-in-law is well represented by a little comedy film of 1952: No Room for the Groom, directed by Douglas Sirk, the fine German director more famous for his melodramas that humanely criticize American morals and values.

Another superb movie about a mature marriage grounded in a fundamental lack of communication is Dodsworth, based on the Sinclair Lewis novel.

... this film taps perfectly into the viewers_ sense of the world. It was a big, big hit, and one of Hollywood__ best-remembered marriage movies, although by grounding itself in trendy political issues, it avoids ordinary day-to-day marital problems. Its bottom line is, however, marry your own kind.