James Salter

Writers really don't retire, you know. They have to be taken out and shot.

She formed her life day by day, taking as its materials the emptiness and panic as well as the rushes, like fever, of contentment. I am beyond fear of solitude, she thought, I am past it. The idea thrilled her. I am beyond it and I will not sink. This submission, this triumph made her stronger. It was as if finally, after having passed through inferior stages, her life had found a form worthy of it.

I'm tired of my life, my clothes, the things I say. I'm hacking away at the surface, as at some kind of gray ice, trying to break through to what is underneath or I am dead. I can feel the surface trembling__t seems ready to give but it never does. I am uninterested in current events. How can I justify this? How can I explain it? I don't want to have the same vocabulary I've always had. I want something richer, broader, more penetrating and powerful.

...alone in this city, alone on this sea. The days were strewn about him, he was a drunkard of days. He had achieved nothing. He had his life--it was not worth much--not like a life that, though ended, had truly been something. If I had had courage,he thought, if I had had faith. We preserve ourselves as if that were important, and always at the expense of others. We hoard ourselves. We succeed if they fail, we are wise if they are foolish, and we go onward, clutching, until there is no one--we are left with no companion save God. In whom we do not believe. Who we know does not exist.

If you can overcome the occasional angst, you may have the chance to see some interesting things, perhaps the same things the tour buses bring people to see, but purified by solitude, if you will. In any case, do not stay in the hotel room. That is the only place you are vulnerable.

One should not believe too strongly in a life which can easily vanish.

there comes a time in life, when you realize that everything is a dream; only those things which are written down have any possibility of being real.

The book was in her lap; she had read no further. The power to change one__ life comes from a paragraph, a lone remark. The lines that penetrate us are slender, like the flukes that live in river water and enter the bodies of swimmers. She was excited, filled with strength. The polished sentences had arrived, it seemed, like so many other things, at just the right time. How can we imagine what our lives should be without the illumination of the lives of others?

Women fall in love when they get to know you. Men are just the opposite. When they finally know you they're ready to leave

You must go further than I did," Nedra said. "You know that.""Further?""With your life. You must become free."She did not explain it; she could not. It was not a matter of living alone, though in her case this had been necessary. The freedom she meant was self-conquest. It was not a natural state. It was meant only for those who would risk everything for it, who were aware that without it life is only appetites until the teeth are gone.

Their life is mysterious, it is like a forest; from far off it seems a unity, it can be comprehended, described, but closer it begins to separate, to break into light and shadow, the density blinds one. Within there is no form, only prodigious detail that reaches everywhere: exotic sounds, spills of sunlight, foliage, fallen trees, small beasts that flee at the sound of a twig-snap, insects, silence, flowers.And all of this, dependent, closely woven, all of it is deceiving. There are really two kinds of life. There is, as Viri says, the one people believe you are living, and there is the other. It is this other which causes the trouble, this other we long to see.

They lay silently. She was staring at something across the room. She was making him feel uncomfortable. 'It wouldn't work. It's the attraction of opposites,' he said.We're not opposites.'I don't mean just you and me. Women fall in love when they get to know you. Men are just the opposite. When they finally know you they're ready to leave.

I sometimes say that I don't make anything up - obviously that's not true. But I am uninterested in writers who say that everything comes out of the imagination. I would rather be in a room with someone who is telling the story of his life, which may be exaggerated and even have lies in it, but I want to hear the true story, essentially.

I like aristocracy. I like the beauty of aristocracy. I like the hierarchical feeling.

There is no real beauty without some slight imperfection.

In a certain sense, a writer is an exile, an outsider, always reporting on things, and it is part of his life to keep on the move. Travel is natural.

You can write about other people and their ideas and life without having lived it, but even your perception of that is going to be colored by what you know and what you experience. And this is undeniable.

It's great to listen to men talk about sports or fights or war or even hunting sometimes, but the presence of the other, the presence of art and beauty, which crude masculinity seems to discount, is essential. Real civilization and real manhood seem to me to include those.