Ian McEwan

Virtue is too passive, too narrow. Virtue can motivate individuals, but for groups, societies, a whole civilisation, it__ a weak force. Nations are never virtuous, though they might sometimes think they are.

It marked the beginning and, of course, an end. At that moment a chapter, no, a whole stage of my closed. Had I known, and had there been a spare second or two, I might have allowed myself a little nostalgia.

While my friends struggled and calculated, I reached a solution by a set of floating steps that were partly visual, partly just a feeling for what was right. It was hard to explain how I knew what I knew.

How quickly the dead faded into each other,

When it's gone, you'll know what a gift love was. You'll suffer like this. So go back and fight to keep it.

You pull a book from the shelf and there was an invention... Almost like cooking, I thought sleepily. Instead of heat transforming the ingredients, there's pure invention, the spark, the hidden element. What resulted was more than the sum of parts... At one level it was obvious enough how these separarte parts were tipped in and deployed. The mystery was in how they were blended into somthing cohesive and plausible, how the ingredients were cooked into something so delicious. As my thought scattered and I drifted toward the borders of oblivion, I thought I almost understood how it was done.

In the seventies I used to work in the bedroom of my flat at a little table. I worked in longhand with a fountain pen. I'd type out a draft, mark up the typescript, type it out again. Once I paid a professional to type a final draft, but I felt I was missing things I would have changed if I had done it myself. In the mid-eighties I was a grateful convert to computers. Word processing is more intimate, more like thinking itself. In retrospect, the typewriter seems a gross mechanical obstruction. I like the provisional nature of unprinted material held in the computer's memory - like an unspoken thought. I like the way sentences or passages can be endlessly reworked, and the way this faithful machine remembers all your little jottings and messages to yourself. Until, of course, it sulks and crashes.

Especially difficult when the first and best unconscious move of a dedicated liar is to persuade himself he's sincere. And once he's sincere, all deception vanishes.

Or he was simply pretending__ike many drinkers, he liked to think each new day drew a line under the day before.

Becoming drunk is a journey that generally elates him in the early stages__e's good company, expansive, mischievous and fun, the famous old poet, almost as happy listening as talking. But once the destination is met, once established up there on that unsunny plateau, a fully qualified drunk, the nastier muses, the goblins of aggression, paranoia, self-pity take control. The expectation now is that an evening with John will go bad somehow, unless everyone around is prepared to toil at humouring and flattering and hours of frozen-faced listening. No one will be.

It's at moments like these in a game that the essentials of his character are exposed: narrow, ineffectual, stupid__nd morally so. The game becomes an extended metaphor of character defect. Every error he makes is so profoundly, so irritatingly typical of himself, instantly familiar, like a signature, like a tissue scar or some deformation in a private place.

Now and then, an inch below the water's surface, the muscles of his stomach tightened involuntarily as he recalled another detail. A drop of water on her upper arm. Wet. An embroidered flower, a simple daisy, sewn between the cups of her bra. Her breasts wide apart and small. On her back, a mole half covered by a strap. When she climbed out of the pond a glimpse of the triangular darkness her knickers were supposed to conceal. Wet. He saw it, he made himself see it again. The way her pelvic bones stretched the material clear of the skin, the deep curve of her waist, her startling whiteness. When she reached for her skirt, a carelessly raised foot revealed a patch of soil on each pad of her sweetly diminished toes. Another mole the size of a farthing on her thigh and something purplish on her calf--a strawberry mark, a scar. Not blemishes. Adornments.

Before you embark on a journey of revenge, dig two graves, Confucius said. Revenge unstitches civilisation.

It can happen sometimes, with those who brood on an injustice, that a taste for revenge can usefully combine with a sense of obligation.

Revenge may be exacted a hundred times over in one sleepless night. The impulse, the dreaming intention, is human, normal, and we should forgive ourselves. But the raised hand, the actual violent enactment, is cursed. The maths says so. There__l be no reversion to the status quo ante, no balm, no sweet relief, or none that lasts. Only a second crime. Before you embark on a journey of revenge, dig two graves, Confucius said. Revenge unstitches a civilisation. It__ a reversion to constant, visceral fear.

Every secret of the body was rendered up--bone risen through flesh, sacrilegious glimpses of an intestine or an optic nerve. From this new and intimate perspective, [Briony] learned a simple, obvious thing she had always known, and everyone knew: that a person is, among all else, a material thing, easily torn, not easily mended.

It is quite impossible these days to assume anything about people's educational level from the way they talk or dress or from their taste in music. Safest to treat everyone you meet as a distinguished intellectual.

He saw it for the first time: on the day he died he would be wearing unmatching socks, there would be unanswered e-mails, and in the hovel he called home there would still be shirts missing cuff buttons, a malfunctioning light in the hall, and unpaid bills, uncleared attics, dead flies, friends waiting for a reply and lovers he had not owned up to.