Is it not rather the touch of Love, of Love the Mysterious, who seeks constantly to unite two beings, who tries his strength the instant he has put a man and a woman face to face?
Author
Guy de Maupassant
/guy-de-maupassant-quotes-and-sayings
Author Summary
About Guy de Maupassant on QuoteMust
Guy de Maupassant currently has 85 indexed quotes and 25 linked works on QuoteMust. This page is the canonical destination for that author archive.
Works
Books and titles linked to this author
Quotes
All quote cards for Guy de Maupassant
...perhaps, also this short embrace may infuse in their veins a little of this thrill which they would not have known without it, and will give to those two dead souls, brought to life in a second, the rapid and divine sensation of this intoxication, of this madness which gives to lovers more happiness in an instant than other men can gather during a whole lifetime.
...A strange art _ music _ the most poetic and precise of all the arts, vague as a dream and precise as algebra.
Do you know how I picture God myself?" he said. "As an enormous, creative organ beyond our ken, who scatters millions of worlds into space, just as one single fish would deposit its spawn in the sea. He creates because it is His function as God to do so, but He does not know what He is doing and is stupidly prolific in His work and is ignorant of the combinations of all kinds which are produced by His scattered germs.
Yes, but I say that Nature is our enemy, that we must always fight against Nature, for she is continually bringing us back to an animal state. You may be sure that God has not put anything on this earth that is clean, pretty, elegant or accessory to our ideal; the human brain has done it.
When the first fine spring days come, and the earth awakes and assumes its garment of verdure, when the perfumed warmth of the air blows on our faces and fills our lungs, and even appears to penetrate to our heart, we feel vague longings for undefined happiness, a wish to run, to walk at random, to inhale the spring.
Nature loves death: she will not punish it.
Killing is decreed by law but nature loves eternal youth. Whatever she does, however unconscious and unfeeling the act, she seems to cry out: __uick! Quick! Quick!_ And the more she destroys, the more she is renewed.
Every ideal comes from us as do all the amenities of life, in order to make our existence as simple reproducers, for which divine Providence solely intended us, less monotonous and less hard.
We are, on earth, two distinct races. Those who have need of others, whom others amuse, engage soothe, whom solitude harasses, pains, stupefies, like the movement of a terrible glacier or the traversing of the desert; and those, on the contrary, whom others weary, tire, bore, silently torture, whom isolation calms and bathes in the repose of independency, and plunges into the humors of their own thoughts. In fine, there is here a normal, physical phenomenon. Some are constituted to live a life outside of themselves, others, to live a life within themselves. As for me, my exterior associations are abruptly and painfully short-lived, and, as they reach their limits, I experience in my whole body and in my whole intelligence an intolerable uneasiness.
The human mind is a lucky little local, passing accident which was totally unforeseen, and condemned to disappear with this earth and to recommence perhaps here or elsewhere the same or different with fresh combinations of eternally new beginnings. We owe it to this little lapse of intelligence on His part that we are very uncomfortable in this world which was not made for us, which had not been prepared to receive us, to lodge and feed us or to satisfy reflecting beings, and we owe it to Him also that we have to struggle without ceasing against what are still called the designs of Providence, when we are really refined and civilized beings.
It is man who has introduced a little grace, beauty, unknown charm and mystery into creation by singing about it, interpreting it, by admiring it as a poet, idealizing it as an artist and by explaining it through science, doubtless making mistakes, but finding ingenious reasons, hidden grace and beauty, unknown charm and mystery in the various phenomena of Nature. God created only coarse beings, full of the germs of disease, who, after a few years of bestial enjoyment, grow old and infirm, with all the ugliness and all the want of power of human decrepitude.
Nevertheless man has found love, which is not a bad reply to that sly Deity, and he has adorned it with so much poetry that woman often forgets the sensual part of it. Those among us who are unable to deceive themselves have invented vice and refined debauchery, which is another way of laughing at God and paying homage, immodest homage, to beauty.
....and I gazed at these forms incomprehensible to me, but which revealed the immortal thoughts of the greatest shatterer of dreams who had ever dwelt on earth.
By nature independent, gay, even exuberant, seductively responsive and given to those spontaneous sallies that sparkle in the conversation of certain daughters of Paris who seem to have inhaled since childhood the pungent breath of the boulevards laden with the nightly laughter of audiences leaving theaters, Madame de Burne's five years of bondage had nonetheless endowed her with a singular timidity which mingled oddly with her youthful mettle, a great fear of saying too much, of going to far, along with a fierce yearning for emancipation and a firm resolve never again to compromise her freedom.
I told myself 'Everything is a being! The shout that passes into the air is an entity like an animal, since it is born, produces a movement, and is again transformed, in order to die. So the fearful mind that believes in incorporeal beings is not wrong. What are they?
I told myself: 'I am surrounded by unknown things.' I imagined man without ears, suspecting the existence of sound as we suspect so many hidden mysteries, man noting acoustic phenomena whose nature and provenance he cannot determine. And I grew afraid of everything around me _ afraid of the air, afraid of the night. From the moment we can know almost nothing, and from the moment that everything is limitless, what remains? Does emptiness actually not exist? What does exist in this apparent emptiness?
Words dazzle and deceive because they are mimed by the face. But black words on a white page are the soul laid bare.