Geoff Ryman

I'm in the back of a limousine with Charlie Chaplin and it__ 1928. Charlie is beautiful; his body language seems to skip, and reel and rhyme, heartbreaking and witty at the same time. It seems to promise a better world.

Literature for me_ tries to heal the harm done by stories. (How much harm? Most of the atrocities of history have been created by stories, e.g., the Jews killed Jesus.) I follow Sartre that the freedom the author claims for herself must be shared with the reader. So that would mean that literature is stories that put themselves at the disposal of readers who want to heal themselves. Their healing power lies in their honesty, the freshness of their vision, the new and unexpected things they show, the increase in power and responsibility they give the reader.

It is necessary to distinguish between history and fantasy wherever possible. And then use them against each other.

Everything, no matter how beautiful, is only with us for awhile.

In a sense who you are has always been a story that you told to yourself. Now your self is a story that you tell to others.

Milena found Cilia outside, holding her bamboo box. Milena hugged her. ____ sorry about your shins,_ she said. Milena lifted the lid of the box, and saw it, the precious paper, ruled in staves. People were generous. Milena had never believed that.

This is what books only aimed to do and never could. Give you the glint of someone else's sunrise, what living is really like, you get old and it hurts to bend your elbow; your friends start to die, you can__ get fresh fruit in the shops.

You always use that word "remember",' said Milena. 'You say, "remember, team". You never tell us to think.

Milena's eyes seemed to go hot and heavy. Praise made her heartsick; she was so unused to it, and needed it so badly.

Heaven is a place where you cannot change and nothing can ever happen, so the things you love are always eternal. Hell is exactly the same.