Elizabeth Berg

And so, what of it all? What of me and my passions and personas, my great loves and failures of love, my writing, my politics? What of the clanging opinions, the endless queries as to the whys and wherefores of how I chose to conduct myself? In the end, there is but one answer to every question, whether it is spit at me or made as gentlest inquiry: I was I.

There is love in holding and there is love in letting go.

When Suzie introduced Helen, she told the audience that one of the best things about books is that they are an interactive art form: that while the author may describe in some detail how a character looks, it is the reader's imagination that completes the image, making it his or her own. "That's why we so often don't like movies made from books, right?" Suzie said. "We don't like someone else's interpretation of what we see so clearly." She talked, too, about how books educate and inspire, and how they soothe the soul-"like comfort food without the calories," she said. She talked about the tactile joys of reading, the feel of a page beneath one's fingers; the elegance of typeface on a page. She talked about how people complain that they don't have time to read, and reminded them that if they gave up half an hour of television a day in favor of reading, they could finish twenty-five books a year. "Books don't take time away from us," she said. "They give it back. In this age of abstraction, of multitasking, of speed for speed's sake, they reintroduce us to the elegance-and the relief!-of real, tick-tock time.

She sits down and puts her hand to her chest and rocks. Thinks of all she has lost and will lose. All she has had and will have. It seems to her that life is like gathering berries into an apron with a hole. Why do we keep on? Because the berries are beautiful, and we must eat to survive. We catch what we can. We walk past what we lose for the promise of more, just ahead.

I would make an anonymous call and say, this is someone who cares, do you know what kind of children you have?

It seems like all the time people are making themselves themselves, but they don't really know it. You can only have true visions when you look behind. A person can slide so fast into being something they never really intended. I wonder if you can truly resurrect your own self.

You don't get everything all at once. You wait.

Are these real diamonds?" I once asked, and she said, "Why have them if they're not?

We are assumed to be rather hopeless -- swallowed up by incorrect notions, divorced from the original genius with which we are born, lost within days of living this distracting life.

I think it's a real gift to be able to say that what's in your life is enough. It seems most of us re always wanting more.

Now, on this road trip, my mind seemed to uncrinkle, to breathe, to present to itself a cure for a disease it had not, until now, known it had.

How are poets able to unzip what they see around them, calling forth a truer essence from behind a common fact? Why, reading a verse about a pear, do you see past the fruit in so transcendent a way?

When you take the small roads you see the life that goes on there, and this makes your own life larger.

This is the way things work sometimes, that good things get ideas from each other, say, well now let__ go ahead and let her have it all.

Hey. Know what happened to me today?"He sits back and crosses his arms, smiles. "No. What happened to you today?""Well, I decided to take the bus to work instead of driving? And I got on and I sat behind this woman who started crying. She was very quiet about it, just every now and then she would reach up and wipe away a tear. She had this kerchief on her head, this ratty old flowered kerchief, but it was clean and it was tied very neatly, you know. And she had her purse on her lap and she was holding on to it like it was hands. At first nobody else seemed to notice she was crying, but then everybody around her did. And it got very quiet. And then finally this man got up from the back of the bus, and he came up and sat next to her and put his arm around her, and he didn't say a word, but just stared straight ahead with his arm around her and she kept crying, but it was better now, you could tell, she kind of had a little smile even though she was still crying. And I don't know if he even knew her! I think everybody was wondering the same thing: Does he even know her? I guess he must have known her; otherwise she probably would have leaped up and started screaming or something, but you never know! You just never know, it might have been someone whose heart went out to her because she was crying. And he decided he would comfort her. And she let him. And I think it was a kind of miracle. A living parable or something.

There are some things you never say good-bye to

...wear a hat and some old lady shoes, and you can do whatever you want.

I am thinking about the way that life can be so slippery; the way that a twelve-year-old girl looking into the mirror to count freckles reaches out toward herself and that reflection has turned into that of a woman on her wedding day, righting her veil. And how, when that bride blinks, she reopens her eyes to see a frazzled young mother trying to get lipstick on straight for the parent/teacher conference that starts in three minutes. And how after that young woman bends down to retrieve the wild-haired doll her daughter has left on the bathroom floor, she rises up to a forty-seven-year-old, looking into the mirror to count age spots.