& love is an evil word. Turn it backwards/see, see what I mean? An evol word.
I__ a maker of ballads right prettyI write them right here in the streetYou can buy them all over the cityyours for a penny a sheetI__ a word pecker out of the printersout of the dens of Gin LaneI__l write up a scene on a counter- confessions and sins in the main, boysconfessions and sins in the mainThen you__l find me in Madame Geneva__keeping the demons at bayThere__ nothing like gin for drowning them inbut they__l always be back on a hanging day, on a hanging dayThey come rattling over the cobblesthey sit on their coffins of blackSome are struck dumb, some gabbletop-heavy on brandy or sackThe pews are all full of fine fellowsand the hawker has set up her shopAs they__e turning them off at the gallowsshe__l be selling right under the drop, boysselling right under the dropThen you__l find me in Madame Geneva__keeping the demons at bayThere__ nothing like gin for drowning them inbut they__l always be back on a hanging day, on a hanging day
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I__ a maker of ballads right prettyI write them right here in the streetYou can buy them all over the cityyours for a penny a sheetI__ a word pecker out of the printersout of the dens of Gin LaneI__l write up a scene on a counter- confessions and sins in the main, boysconfessions and sins in the mainThen you__l find me in Madame Geneva__keeping the demons at bayThere__ nothing like gin for drowning them inbut they__l always be back on a hanging day, on a hanging dayThey come rattling over the cobblesthey sit on their coffins of blackSome are struck dumb, some gabbletop-heavy on brandy or sackThe pews are all full of fine fellowsand the hawker has set up her shopAs they__e turning them off at the gallowsshe__l be selling right under the drop, boysselling right under the dropThen you__l find me in Madame Geneva__keeping the demons at bayThere__ nothing like gin for drowning them inbut they__l always be back on a hanging day, on a hanging day
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i have laughedmore than daffodilsand cried more than June.
My job as a poet, is not to succumb to despair but to find in words, an antidote for the emptiness of existence.
To write a poem you must have a streak of arrogance-- not in real life I hope. In real life try to be nice. It will save you a hell of a lot of trouble and give you more time to write.
As long as music survives, poetry will never die.
The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.