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One of his private vanities was that all the garbage sorting had endowed his hands with killing strength__hat he could chop a brick in half like Bruce Lee. __o let__ get a brick,_ replied a girl with whom he had once, injudiciously, shared this conviction. Abdul had bumbled away. The brick belief was something he wanted to harbor, not to test.
Katherine Boo Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity
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One of his private vanities was that all the garbage sorting had endowed his hands with killing strength__hat he could chop a brick in half like Bruce Lee. __o let__ get a brick,_ replied a girl with whom he had once, injudiciously, shared this conviction. Abdul had bumbled away. The brick belief was something he wanted to harbor, not to test.
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Katherine Boo

Behind the Beautiful Forevers: Life, Death, and Hope in a Mumbai Undercity

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Do we take less pride in the possession of our home because its walls were built by some unknown carpenter, its tapestries woven by some unknown weaver on a far Oriental shore, in some antique time? No. We show our home to our friends with the pride as if it were our home, which it is. Why then should we take less pride when reading a book written by some long-dead author? Is it not our book just as much, or even more so, than theirs? So the landowner says, __ook at my beautiful home! Isn__ it fine?_ And not, __ook at the home so-and-so has built._ Thus we shouldn__ cry, __ook what so-and-so has written. What a genius so-and-so is!_ But rather, __ook at what I have read! Am I not a genius? Have I not invented these pages? The walls of this universe, did I not build? The souls of these characters, did I not weave?