Oh no. I'm not gonna let you leave yet. I'm gonna show you the value of takin' your time to get to work. I probably should have done this a long time ago.
There's a societal push for conformity in all ways. There's less tolerance of difference. And so maybe for some people having a label is better. It can confer a sense of hope and direction. (interview with Allen Frances)
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There's a societal push for conformity in all ways. There's less tolerance of difference. And so maybe for some people having a label is better. It can confer a sense of hope and direction. (interview with Allen Frances)
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In order for one to be converted to the 'dark' side he/she must have a complete understanding of the 'light' side. With it's understanding we would all want to defy, overpower, or destroy what it is capable of.
In order for one to be converted to the 'dark' side he/she must have a complete understanding of the 'light' side With it's understanding we all would want to defy, overpower, or destroy what it is capable of.
If you close your eyes, you get to control your own darkness.
A terrified-looking bystander, a nerdy man in a sweater, calls the police and stammers into the phone: 'A huge group of people are fighting and there's pepper spray and superheroes and I don't know.
It's not a remarkable note except for one thing. The typeface Tony used to print it is the exact typeface Kubrick used for the posters and title sequences of 'Eyes Wide Shut' and '2001'.'It's Futura Extra Bold,' explains Tony. 'It was Stanley's favorite typeface. It's sans serif. He liked Helvetica and Univers too. Clean and elegant.''Is this the kind of thing you and Kubrick used to talk about?' I asked.'God, yes,' says Tony. 'Sometimes late into the night. I was always trying to persuade him to turn away from them. But he was wedded to his sans serifs.