[Lizzie Bennington to a reporter who has asked for her opinion about Jack Archer's celebrated thighs.] __hen you come back from a set down and bring the match to a final set tiebreak and are a point away from winning the match, only to have what looks like an extremely fit player call a time out because of a cramp and then watch that player sit back and casually converse and laugh while you do your best to keep your mental focus and your body moving so you don__ grow cold and cramp yourself, I hardly think you__ concern yourself with his burgeoning manhood, let alone his thighs!

Well, with that filly in my line of vision blushing like a virgin, something in me was bound to stand at attention. And my walking legs were occupied.

I guess it's funny how life turns out?" she tried. "Not last I checked," Errol said with a snort.

He has the mistaken notion that a concern with grace is a concern with exalted human behavior, that it is a pretentious concern. It is, however, simply a concern with the human reaction to that which, instant by instant, gives life to the soul. It is a concern with a realization that breeds charity and with the charity that breeds action. Often the nature of grace can be made plain only by describing its absence.

In any case, you can't have effective allegory in times when people are swept this way and that by momentary convictions, because everyone will read it differently. You can't indicate moral values when morality changes with what is being done, because there is no accepted basis of judgment. And you cannot show the operation of grace when grace is cut off from nature or when the very possibility of grace is denied, because no one will have the least idea of what you are about.

Art requires a delicate adjustment of the outer and inner worlds in such a way that, without changing their nature, they can be seen through each other.