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I now want to examine a second major feature of Western civilization that derives from Christianity. This is what philosopher Charles Taylor calls the 'affirmation of ordinary life.' It is the simple idea that ordinary people are fallible, and yet these fallible people matter. In this view, society should organize itself in order to meet their everyday concerns, which are elevated into a kind of spiritual framework. The nuclear family, the idea of limited government, the Western concept of the rule of law, and our culture's high emphasis on the relief of suffering all derive from this basic Christian understanding of the dignity of fallible human beings.
Dinesh D'Souza What's So Great About Christianity
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I now want to examine a second major feature of Western civilization that derives from Christianity. This is what philosopher Charles Taylor calls the 'affirmation of ordinary life.' It is the simple idea that ordinary people are fallible, and yet these fallible people matter. In this view, society should organize itself in order to meet their everyday concerns, which are elevated into a kind of spiritual framework. The nuclear family, the idea of limited government, the Western concept of the rule of law, and our culture's high emphasis on the relief of suffering all derive from this basic Christian understanding of the dignity of fallible human beings.
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Dinesh D'Souza

What's So Great About Christianity

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The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.