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It is interesting to ponder the fact that there is no real difference between what the Western Fascists wanted of literature and what the Bolsheviks want. Let me quote: "The personality of the artist should develop freely and without restraint. One thing, however, we demand: acknowledgement of our creed._ Thus spoke one of the big Nazis, Dr. Rosenberg, Minister of Culture in Hitler's Germany. Another quote: __very artist has the right to create freely; but we, Communists, must guide him according to plan._ Thus spoke Lenin. Both of these are textual quotations, and their similitude would have been highly diverting had not the whole thing been so very sad.
Vladimir Nabokov
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It is interesting to ponder the fact that there is no real difference between what the Western Fascists wanted of literature and what the Bolsheviks want. Let me quote: "The personality of the artist should develop freely and without restraint. One thing, however, we demand: acknowledgement of our creed._ Thus spoke one of the big Nazis, Dr. Rosenberg, Minister of Culture in Hitler's Germany. Another quote: __very artist has the right to create freely; but we, Communists, must guide him according to plan._ Thus spoke Lenin. Both of these are textual quotations, and their similitude would have been highly diverting had not the whole thing been so very sad.

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And what agony, thought Krug the thinker, to love so madly a little creature, formed in some mysterious fashion (even more mysterious to us than it had been to the very first thinkers in their pale olive gloves) by the fusion of two mysteries, or rather two sets of a trillion of mysteries each; formed by a fusion which is, at the same time, a matter of choice and a matter of chance and a matter of pure enchantment; thus formed and then permitted to accumulate trillions of its own mysteries; the whole suffused with consciousness, which is the only real thing in the world and the greatest mystery of all.