Sometimes, all you can take are memoriesBut if you__e lucky enough to capture the moment,it lives forever, immortally fixed.

Anyone can take a picture of poverty; it__ easy to focus on the dirt and hurt of the poor. It__ much harder__nd much more needful__o pry under that dirt and reveal the beauty and dignity of people that, but for their birth into a place and circumstance different from our own, are just like ourselves. I want my images to tell the story of those people and to move us beyond pity to justice and mercy.

At the street corner, a one-storey house built of freestone, but repulsively decrepit and filthy, seemed to command the entrance, like a gaol. And here, indeed, lived La Méchain, like a vigilant proprietess, ever on the watch, exploiting in person her little population of starving tenants.

He wanted to live life to the extreme, but without any mess or complications. He wanted to live life in such a way that if a photograph were taken at random, it would be a cool photograph. Things should look right. Fun; there should be a lot of fun and no more sadness than absolutely necessary.

Monsieur Josserand died very quietly - a victim of his own honesty. He had lived a useless life, and he went off, worthy to the last, weary of all the petty things in life, done to death by the heartless conduct of the only human beings that he had ever loved.

He owned an expensive camera that required thought before you pressed the shutter, and I quickly became his favorite subject, round-faced, missing teeth, my thick bangs in need of a trim. They are still the pictures of myself I like best, for they convey that confidence of youth I no longer possess, especially in front of a camera.