The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.

There is often no line between perfection and evil.

Yet, my grandfather was not a monster. He was simply a man of ordinary moral courage whose capacity for great evil was revealed to his and my everlasting shame. Labeling someone a monster implies that he is from another world, one which has nothing to do with us. It cuts off the bonds of affection and fear, assures us of our own superiority, but there's nothing learned, nothing gained. It's simple, but it's cowardly. I know now that only by empathizing with a man like my grandfather can we understand the depth of the suffering he caused. There are no monsters. The monster is us.

Throughout the world what remains of the vast public spaces are now only the stuff of legends: Robin Hood__ forest, the Great Plains of the Amerindians, the steppes of the nomadic tribes, and so forth_ Rousseau said that the first person who wanted a piece of nature as his or her own exclusive possession and transformed it into the transcendent form of private property was the one who invented evil. Good, on the contrary, is what is common.

It was not often that Flay approved of happiness in others. He saw in happiness the seeds of independence, and in independence the seeds of revolt. But on an occasion such as this it was different, for the spirit of convention was being rigorously adhered to, and in between his ribs Mr. Flay experienced twinges of pleasure.

With its grace and carelessness, it seemed to annihilate a whole culture, a whole system of thought, as though [all] could be swept into a nothingness by a single splendid movement of the arm.