To dive in the darkness, I should dive in the truth, then in images of the world..., then facts, then in books, then listening, then in short stories... that's how I write the horror. It's very complicated.

Only a writer who has the sense of evil can make goodness readable.

To be a Russian writer at the end of the nineteenth century must have meant bearing an inescapably bitter fate. The more they tried to escape from Russia, the more deeply Russia swallowed them.

Paul saith, 'Not of works, lest any man should boast.' Now, faith excludes all boasting. The hand which receives charity does not say, 'I am to be thanked for accepting the gift'; that would be absurd. When the hand conveys bread to the mouth it does not say to the body, 'Thank me; for I feed you.' It is a very simple thing that the hand does though a very necessary thing; and it never arrogates glory to itself for what it does. So God has selected faith to receive the unspeakable gift of His grace, because it cannot take to itself any credit, but must adore the gracious God who is the giver of all good.

I have always noticed that these artists and writers are very unbalanced

Maybe Laura__ real problem came in admitting this: there was nothing new under the sun. To write a story would be, somehow deep down, to embrace her limits, to admit that, indeed, she would someday die__f not of a worm or a ceiling, then of something else. The very nature of a story admitted this reality. To be a writer was to say, yes, I am just another Murasaki, and it is quite possible that no one will remember my name.