That's scary, all the time to be afraid Wreck 2015 (Film, you should check it out).

There, conspicuous in the light of the conflagration, lay the dead body of a woman__he white face turned upward, the hands thrown out and clutched full of grass, the clothing deranged, the long dark hair in tangles and full of clotted blood. The greater part of the forehead was torn away, and from the jagged hole the brain protruded, overflowing the temple, a frothy mass of gray, crowned with clusters of crimson bubbles__he work of a shell.The child moved his little hands, making wild, uncertain gestures. He uttered a series of inarticulate and indescribable cries__omething between the chattering of an ape and the gobbling of a turkey__ startling, soulless, unholy sound, the language of a devil. The child was a deaf mute.Then he stood motionless, with quivering lips, looking down upon the wreck.

Despite the horror, we survivors were endowed with a will to survive. Or instinct. Or maybe it was faith.

It's my time to scare you, it's time for scary story.

Teo had once claimed that human history began with a storm: the interval between lightning and thunder, between flash and rumble felt in the body's core, was primitive man's first experiences of time -- the awakening of consciousness, the birth of the gods.

As survivors and procreators, we unravel stories that at their root are not dissimilar from the habitual behaviors seen in nature. But as beings who know they will die we digress into episodes and epics that are altogether dissociated from the natural world. We may isolate this awareness, distract ourselves from it, anchor our minds far from its shores, and sublimate it as a motif in our sagas. Yet at no time and in no place are we protected from being tapped on the shoulder and reminded, __ou__e going to die, you know._ However much we try to ignore it, our consciousness haunts us with this knowledge. Our heads were baptized in the font of death; they are doused with the horror of moribundity.