The Harvester was the rustling of autumn leaves, there one minute, gone the next.

The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.

And there, next to me, as the east wind blows in early fall, a season open to great migrations, are those lives, threading the air and waters of the sea, that come out of an incomparable darkness, which is also my own.

Fall makes me think that if I fail horribly at this art thing, and then fail horribly with this writing thing, I'll go run a pumpkin patch.

Letty allowed her to ramble on while she looked around the wood, remembering its autumn carpet of beech leaves and wondering if it could be the kind of place to lie down in and prepare for death when life became too much to be endured.

Every flower displays its beautiful colours in autumn.