We're not in a fairytale story. This is not a movie. Scriptwriters don't write our fates. We do.

Art is inextricably tied to man's survival - not to his physical survival, but to that on which his physical survival depends: to the preservation and survival of his consciousness.

The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.

I am convinced that love is the most durable power in the world. It is not an expression of impractical idealism, but of practical realism. Far from being the pious injunction of a Utopian dreamer, love is an absolute necessity for the survival of our civilization. To return hate for hate does nothing but intensify the existence of evil in the universe. Someone must have sense enough and morality enough to cut off the chain of hate and evil, and this can only be done through love.__ Martin Luther King Jr.

To survive was to escape fate. But if you escape your fate, whose life do you then step into?

Life has a way of kicking one along like a football, or so I've found. Fate had never dealt me personally a particularly easy time, but that was OK, that was normal. Most people, it seemed to me, took their turn to be football. Most survived. Some didn't.