Give me just enough information so that I can lie convincingly.

But we do not choose our deaths. The Norns do that at the foot of Yggdrasil and I imagined one of those three Fates holding the shears above my thread. She was ready to cut, and all that mattered now was to keep tight hold of my sword so that the winged women would take me to Valhalla's feasting-hall.

Is all ordained? Foreknowledge is not fate, and we may choose our paths, yet fate says we may not choose them. So if fate is real, do we have a choice?

In any case, you can't have effective allegory in times when people are swept this way and that by momentary convictions, because everyone will read it differently. You can't indicate moral values when morality changes with what is being done, because there is no accepted basis of judgment. And you cannot show the operation of grace when grace is cut off from nature or when the very possibility of grace is denied, because no one will have the least idea of what you are about.

I read not so long ago about the construction of a large telescope in Chile's Atacama Desert, where rainfall can average a millimetre a year and the air is fifty times as dry as the air in Death Valley. Needless to say, skies over the Atacama are pristine. The pilgrim astronomer ventures to the earth__ ravaged reaches in order to peer more keenly at other worlds, and I suppose the novelist is up to something similar.

A writer needs to ingest love to be passionate. Passion is a metabolite of love, and good writing is an active metabolite of passion.