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I now argue that entry into Upper Palaeolithic caves was probably seen as virtually indistinguishable from entry into the mental vortex that leads to the experiences and hallucinations of deep trance.
Anonymous The Mind in the Cave: Consciousness and the Origins of Art
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I now argue that entry into Upper Palaeolithic caves was probably seen as virtually indistinguishable from entry into the mental vortex that leads to the experiences and hallucinations of deep trance.
AN
Anonymous

The Mind in the Cave: Consciousness and the Origins of Art

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