Shirts and jeans litter the asphalt, the empty fabric limbs askew as if they're attempting to escape. Blood smears Sarah's lips as she struggles against the chest of a dirty looking man with a beard. Terror. Terror is the only word my mind can seize on and it forgets what it means. I forget how to think - to move.

I was crying for the little girl I had been, who had withstood terrifying nightmares of death and blood and war and maiming. And when I had tried to share those horrors, the shock on my friends' faces had told me I was not normal, and I should keep my dreams to myself.

Lover," she whispers, and closes her eyes.It falls upon her.Love is like dying.

The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.

Can I kiss you?_ And she would let him, lightly on her lips, a moment of brief anticipation. __our kisses are like sugar woman._ He would tell her affectionately. __o sweet._ He would close in on her and then ask softly, __lease spend the night with me.

He trailed his eyes down over her beautiful breasts then told her, __ou__e going to keep your mouth shut and I__ going togive you that Orgasm you asked for._ He thought for a moment she was going to tell him to get lost, but instead she leaned her head back against the wall and pushed her hips out toward him.