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I call [fourth-wave feminism] fainting__ouch feminism, a la the delicate Victorian ladies who retreated to an elegant chaise when overcome with emotion. As an equality feminist from the 1970s, I am dismayed by this new craze. Women are not children. We are not fragile little birds who can__ cope with jokes, works of art, or controversial speakers. Trigger warnings and safe spaces are an infantilizing setback for feminism__nd for women.
Christina Hoff Sommers
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I call [fourth-wave feminism] fainting__ouch feminism, a la the delicate Victorian ladies who retreated to an elegant chaise when overcome with emotion. As an equality feminist from the 1970s, I am dismayed by this new craze. Women are not children. We are not fragile little birds who can__ cope with jokes, works of art, or controversial speakers. Trigger warnings and safe spaces are an infantilizing setback for feminism__nd for women.

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The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.