No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

Although terrifying, the evil ghost will probably pose no real danger to you or your family. On the other hand, if you have a demonic infestation, your entire household is in very real danger. A demonic entity will not usually confront you or induce you to flee the home. Because, unlike the evil ghost, the demon does not actually want you to leave. On the contrary, it wants you to stick around so it can destroy your life and sully your soul from the inside.

My old man's a white old manAnd my old mother's black.If ever I cursed my white old manI take my curses back.If ever I cursed my black old motherAnd wished she were in hell,I'm sorry for that evil wishAnd now i wish her wellMy old man died in a fine big houseMy Ma died in a shack.I wonder were i'm going to die,Being neither white nor black?

...hanging out does not make one an artist. A secondhand wardrobe does not make one an artist. Neither do a hair-trigger temper, melancholic nature, propensity for tears, hating your parents, nor even HIV - I hate to say it - none of these make one an artist. They can help, but just as being gay does not make one witty (you can suck a mile of cock, as my friend Sarah Thyre puts it, it still won't make you Oscar Wilde, believe me), the only thing that makes one an artist is making art. And that requires the precise opposite of hanging out; a deeply lonely and unglamorous task of tolerating oneself long enough to push something out.

At the street corner, a one-storey house built of freestone, but repulsively decrepit and filthy, seemed to command the entrance, like a gaol. And here, indeed, lived La Méchain, like a vigilant proprietess, ever on the watch, exploiting in person her little population of starving tenants.

Rich people read their bills. Poor people dread theirs.