wanderer

Without knowing why or how, I found myself in love with this strange Wanderess. Maybe I was just in love with the dream she was selling me: a life of destiny and fate; as my own life up until we met had been so void of enchantment. Those things: mystery, fate, enchantment... they are things that young people offer us as soon as we get close to them. And if we're not careful, we can be seduced by, and drawn back into, the youthful world they preside over.

I can__ change the world, I can only change how I choose to live in it.

_, Wanderess, WanderessWhen did you feel your most euphoric kiss? Was I the source of your greatest bliss?

Let there be room left in your heart for the unimaginable ~ serendipity has a way of showing itself just when you feel like giving up.

Find something you love and go for it with all your heart. No excuses, no plan B. Never settle for anything less than you know you can do.It will be hard, but I promise it will be worth it.

I am a worried person with a stressed out soul, living a simple life with no capital.

Life is like a train going in circles, the train is comfortable - it has nice scenery, it provides warmth and food & for most a loving atmosphere. Most of the people stay on the train there entire lives, maybe every now and again they may peep out the door, some might even get off only to quickly realise they want back on. Then you have the rare ones who I aspire to be, those who are bored of the train - to them - the thought of living without it, is risky but the reward of tasting life outside of doors and walls excite them enough to try.

I was running and deliberately lost my way. The world far off and nothing but my breath and the very next step and it__ like hypnosis. The feeling of conquering my own aliveness with no task but to keep going, making every way the right away and that__ a metaphor for everything.

I had some terrific experiences in the wilderness since I wrote you last - overpowering, overwhelming," he gushed to his friend Cornel Tengel. "But since then I am always being overwhelmed. I require it to sustain life.Everett Ruess

Three deep cravings of the self, three great expressions of man's restlessness, which only mystic truth can fully satisfy. The first is the craving which makes him a pilgrim and a wanderer. It is the longing to go out from his normal world in search of a lost home, a 'better country'; an Eldorado, a Sarras, a Heavenly Syon. The next is the craving of heart for heart, of the Soul for its perfect mate, which makes him a lover. The third is the craving for inward purity and perfection, which makes him an ascetic, and in the last resort a saint.

There's only one place I want to go and it's to all the places I've never been.

I wanted the monster back and that was plainly wrong.

What do you do when you cannot see any light? Where do you go when you cannot see any path? So I became the wanderer and wandering became my destiny!

I wake up in strange beds and in unknown rooms. I wander in dark alleys and crooked roads. Some days I don't even see the sun. Some nights the moon hides from me. I am the wanderer and wandering is my destiny!

Don__ just make your life a documentary of compromised relationships rather live notorious, fearless and scandalous life to be part of others biographies.

Walking causes a repetitive, spontaneous poetry to rise naturally to the lips, words as simple as the sound of footsteps on the road. There also seems to be an echo of walking in the practice of two choruses singing a psalm in alternate verses, each on a single note, a practice that makes it possible to chant and listen by turns. Its main effect is one of repetition and alternation that St Ambrose compared to the sound of the sea: when a gentle surf is breaking quietly on the shore the regularity of the sound doesn__ break the silence, but structures it and renders it audible. Psalmody in the same way, in the to-and-fro of alternating responses, produces (Ambrose said) a happy tranquillity in the soul. The echoing chants, the ebb and flow of waves recall the alternating movement of walking legs: not to shatter but to make the world__ presence palpable and keep time with it. And just as Claudel said that sound renders silence accessible and useful, it ought to be said that walking renders presence accessible and useful.

In the history of walking, many experts considering him (Wordsworth) the authentic originator of the long expedition. He was the first _ at a time (the late eighteenth century) when walking was the lot of the poor, vagabonds and highwaymen, not to mention travelling showmen and pedlars _ to conceive of the walk as a poetic act, a communion with Nature, fulfilment of the body, contemplation of the landscape. Christopher Morley wrote of him that he was __ne of the first to use his legs in the service of philosophy_.

Joy is not the satisfied contemplation of an accomplished result, the emotion of victory, the satisfaction of having succeeded. It is the sign of an energy that is deftly deployed, it is a free affirmation: everything comes easy. Joy is an activity: executing with ease something difficult that has taken time to master, asserting the faculties of the mind and the body. Joys of thought when it finds and discovers, joys of the body when it achieves without effort. That is why joy, unlike pleasure, increases with repetition, and is enriched. When you are walking, joy is a basso continuo. Locally, of course, you may run into effort and difficulty. You will also find immediate moments of contentment: a proud gaze backwards to contemplate the long steep plunge of the slope behind you. Those satisfactions, though, too often present an opportunity to reintroduce quantities, scores, figures (which track? how long? what altitude?). And walking becomes a competition. That is why expeditions in high mountain country (conquering peaks, each one a challenge) are always slightly impure: because they give rise to narcissistic gratification. What dominates in walking, away from ostentation and showing off, is the simple joy of feeling your body in the most primitively natural activity.