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victorian

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The great city seemed to weigh upon me, as though it were crushing me under its heap of brick and stone. Gray, drizzly skies, congested streets, the soot-belching boats and barges chugging up and down the Thames, the teeming mass of four millions hastening about the countless activities of daily life in a metropolis, things adventurous, meaningful, spiritual, quotidian, futile, criminal, meaningless and absurd. Amidst this seething stew of humanity, I painted.

GI
Gary Inbinder

The Flower to the Painter

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Archer tries not to think of his own state of purity, physically unsullied, yet now spiritually beyond redemption, his thoughts plagued by lithe limbs and brilliant blue eyes. Doctor Archer has never really understood women, nor has he ever had time for courtship; this is a sacrifice he has willingly made for his career. He thought - believed - for most of his adult life that his vocation was to tend the sick of mind. Romance was a frivolity, carnal urges something he successfully sublimated, resisting the drive to spoil himself. Now, in the overbearing loneliness of his 4am bed he touches himself in secret, panting and hungry and stunned by shame

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You know this is wrong."It isn't a question. When he turns, White is still wrapped snug in the counterpane, motionless, just his gaze pursuing the doctor about the room. "I am wrong to do this." The doctor says it as if instructing himself. White says nothing. With a sigh, Archer sits on the edge of the bed, smoothing White's curls back from his forehead. "Do you know what we did last night?" To admit it, to speak out loud, seems in itself a terrible affront. It might be his imagination, but the doctor fancies he sees a slight lowering of black lashes, the tiniest quirk of a shy smile. He says, wearily but not without affection, "No, I don't suppose you do.

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My very core clenches and spasms, my hips with a mind of their own, lurch. It is as if I no longer have control of any part of my body. __gh,_ I continue to groan in relief. And then, slowly, the rush is over and I am able to part my eyelids again. David is still looking at my face, a light sheen of sweat on his brow indicates that his task was not without effort. Finding his gaze too forthright in the currentcircumstances, my eyes move to the arm that still dwells beneath my skirts and thehand that clings viciously to his sleeve. My hand.

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What if all those strange and unexplainable bends in history were the result of supernatural interference? At which point I asked myself, what's the weirdest most eccentric historical phenomenon of them all? Answer:the Great British Empire. Clearly, one tiny little island could only conquer half the known world with supernatural aid. Those absurd Victorian manners and ridiculous fashions were obviously dictated by vampires. And, without a doubt, the British army regimental system functions on werewolf pack dynamics.

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When in 1863 Thomas Huxley coined the phrase 'Man's Place in Nature,' it was to name a short collection of his essays applying to man Darwin's theory of evolution. The Origin of Species had been published only four years before, and the thesis that man was literally a part of nature, rather than an earthy vessel charged with some sublimer stuff, was so novel and so offensive to current metaphysics that it needed the most vigorous defense. Half the civilized world was rudely shocked, the other half skeptically amused.Nearly a century has passed since the Origin shattered the complacency of the Victorian world and initiated what may be called the Darwinian revolution, an upheaval of man's ideas comparable to and probably exceeding in significance the revolution that issued from Copernicus's demonstration that the earth moves around the sun. The theory of evolution was but one of many factors contributing to the destruction of the ancient beliefs; it only toppled over what had already been weakened by centuries of decay, rendered suspect by the assaults of many intellectual disciplines; but it marked the beginning of the end of the era of faith.